Martina Catalfamo

Enter into the world of #DiorCruise 2026 with 'Les Fantômes du Cinéma', a film by Matteo Garrone that conjures up the intersection of temporalities and identities conveyed through Maria Grazia Chiuri’s new collection. The grounds of Rome’s Villa Albani Torlonia are the setting for dreamlike scenes in which ghostly figures clad in costumes associated with the films of Fellini, Visconti, Pasolini and more interact with the models as they prepare to unveil the House's latest creations. Featuring cameos by the photographer Brigitte and members of the House’s ateliers, this enchanting episode of magical realism is a poetic paean to the powerful femininity the Creative Director of Women’s collections has championed since the start.

A tale of the three funerals for the ashes of Italian writer Luigi Pirandello intertwined with a murder committed by a young Sicilian immigrant boy in 1930s Brooklyn for what is described as a surreal, grotesque, complex narrative.

The story of a young student in the South of Italy, his trip during the night, by feet, from the native village to the City, a long coming-to-age itinerary that will lead him to discover his familiy's secret story and free him from fears.

The rocks and the sea while on vacation in the Aeolian islands, the suspended time of the Apulian countryside, the faraway perspective of a girl following her image on the social networks, the closeup perspective of a black immigrant welcomed into a home. After L’uomo doppio, an intimate diary written by Terlizzi as he films everyday, existential glimpses of life, as though they were the heart of a labyrinth without walls, in which the observer pauses, serene and slightly amazed.