Atanáz Babinchak

Instead of ten commandments, ten intertwined Tinder dates: virtual relationships, bleak joys, fast-paced moves, spiritual deviance, hypocritical hypocrisy, perverse homophobia, lustful bloody revenge, and in the background a surprising twist that is far from being about joys... This boundary-pushing independent film is not a traditional romantic story, but an experimental, provocative look at the 2020s, where the search for happiness is often just a swipe right away, yet it seems unattainable.

Margot, a brilliant young scientist with a troubled marriage, disappears inexplicably while hiking with her husband Sam and a group of friends. A few weeks later, she miraculously reappears the day of her own memorial service. Margot is clearly not the same as before the accident. Nevertheless, Sam sees his wife’s miraculous reappearance as a second chance.

The film is following the undefined relationship between the two characters, based on autobiographical events and raw dialogues about insecurity, nostalgia. They attempt to explain their thoughts whilst they cook pancakes or take a walk along the river, while being stuck in the feeling of emptiness.

Firma and Nero make a blood pact on the roof of a parking garage to make sure their love is real, thus putting their own relationship and the world at risk.

In the pulse of the night, a young DJ encounters a mysterious entity woven from light. The enigmatic presence leads him to his grandmother's rural home, where buried emotions from the recent past slowly surface.

This is the story of a group of people who sought to separate pain from its conventional utility and explore it as an entity, a vehicle for consciousness.

Story of a fake heart attack which ends with a real heartbreak.