Lionel Braverman

Students of different careers prepare to take final exams. Botany, anatomy, sociology, medieval philosophy, criminal law, morphology, theoretical physics and piano. Each one uses their own abilities to cope with the situation of oral exposure, the most common evaluative practice in the National Universities of Argentina. Throughout the waiting moments in the halls, between the drama and the absurdity of each exam, the subjects begin to find unexpected relationships.

Antonio is a sculptor who continues to work but has stopped exhibiting. His wife is worried that he spends too much time alone in his workshop. One day, she receives a phone call from a friend to invite them to the opening of an exhibition. This motivates Antonio to return to exhibiting. But he is depressed to discover that most gallery directors find his work old-fashioned. His family gets involved behind the scenes.

After 15 years together, Ale and Alex choose an unconventional way to part ways: by hosting a party to celebrate their separation. Their unexpected decision leaves friends and family confused, forcing everyone to confront their own views on love, relationships, and new beginnings in this bittersweet, heartfelt story.

Pol is 21 years old and lives with his grandmother. He dreams of living in Miami and generating over $10,000 per month. He attends personal development events, follows online coaches, and invests in cryptocurrencies. Pol doesn't know when he'll achieve his goals to become the best version of himself. The only thing he knows is that one day, he will.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

A smart and innovative look at the possible futures of a young Chinese immigrant to Buenos Aires, told in the stilted language of an elementary Spanish textbook.

In the middle of summer, five women rehearse a play in an old mill, isolated from the world.

A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.