Lionel Braverman

After 15 years together, Ale and Alex choose an unconventional way to part ways: by hosting a party to celebrate their separation. Their unexpected decision leaves friends and family confused, forcing everyone to confront their own views on love, relationships, and new beginnings in this bittersweet, heartfelt story.

Antonio is a sculptor who continues to work but has stopped exhibiting. His wife is worried that he spends too much time alone in his workshop. One day, she receives a phone call from a friend to invite them to the opening of an exhibition. This motivates Antonio to return to exhibiting. But he is depressed to discover that most gallery directors find his work old-fashioned. His family gets involved behind the scenes.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

Students of different careers prepare to take final exams. Botany, anatomy, sociology, medieval philosophy, criminal law, morphology, theoretical physics and piano. Each one uses their own abilities to cope with the situation of oral exposure, the most common evaluative practice in the National Universities of Argentina. Throughout the waiting moments in the halls, between the drama and the absurdity of each exam, the subjects begin to find unexpected relationships.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

A stone falls from the sky in a mountain village. Two friends set out to find it in the countryside. On the way they talk, remember a deceased friend, laugh, discuss, meet other seekers. On the way, poetry is read, poetry is heard, poetry is felt in the wind. From the beginning of the day until the light goes out. One or more goodbyes, but also encounters and promises. A film about friendships, winter landscapes and something as useless and necessary as poetry.

Pol is 21 years old and lives with his grandmother. He dreams of living in Miami and generating over $10,000 per month. He attends personal development events, follows online coaches, and invests in cryptocurrencies. Pol doesn't know when he'll achieve his goals to become the best version of himself. The only thing he knows is that one day, he will.

In the middle of summer, five women rehearse a play in an old mill, isolated from the world.

Paula is leaving town and Lucía is going to miss her. But Paula has missed Lucía once before, and found a strange solution: keeping her in a perfume. Then, her scent wafts through the streets and Lucía will mingle with the passers-by.

Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, she travels through rural Argentina to bring the creature back to its place of origin.

A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.

A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization, invited by Helena, who plans something humiliating for one of the guests.

A smart and innovative look at the possible futures of a young Chinese immigrant to Buenos Aires, told in the stilted language of an elementary Spanish textbook.

A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It and suddenly Luisa, who is playing Rosalinda, makes a bad decision.

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

Mara, a young speleologist, lives with her father Horacio, a rural veterinarian. Both emigrated to Italy from Argentina decades ago. Horacio makes one last trip, curing animals in the mountains, before dying. Mara, some time after her departure, meets Roy, a Dominican boy who arrives in town seeking asylum. They become friends. She helps him speak Italian and teaches him about the caves. Together, they take an excursion inside a cave. There Mara will meet her dead father and they will talk about what they never talked about before. Film about close ties, identity, uprooting and the force of nature.

Rodrigo and his mother travel to the town where his older brother just died. In this calm place they will go through the first stages of their mourning. Rodrigo will start to peer on grown-ups grief and, imperceptibly, will begin to leave childhood behind. His mother will try to uncover the mysteries surrounding that death. A story suspended in time, floating between the countryside lost places.