Stefan Vinke

Frank Castorf's Ring makes a feature of unexpected settings and striking images, and here in Siegfried he shows the discussions between the young hero and his foster father Mime in Act I against a background featuring giant heads of Marx, Lenin, Stalin and Mao on a replica of Mount Rushmore. The typical mythical nature and forest world of the second act is replaced in this production by Berlin's Alexanderplatz. The Nothung sword is also replaced, in this production becoming a machine gun. While the direction elicited both approval and disapproval, the vocal performances received wide acclaim.

"Die tote Stadt" is a psychologically layered drama with Hitchcock-like features, about Paul who, after the loss of his beloved Marie, slowly but surely becomes entangled in a dream world of obsessions and delusions. This impressive opera is a passionate as well as a surrealistic plea for mourning. "He who cannot live with death has no life."

"Oil is the equivalent of what used to be gold. A luxury that we cannot eat," explained director Frank Castorf in an interview, outlining one of the key ideas behind his production of the Ring at Bayreuth. In the final part of the tetralogy, the wild journey ventures to the Buna chemical plants in Schkopau and to New York's Wall Street, among other places. Inspired by the aesthetic of Hollywood B movies, the production was first met with disapproval but grew to gain many supporters over the years.