Merwin Foard

Isolated in the bell tower of Notre Dame, Quasimodo longs to experience the world beyond the cathedral walls, despite the wishes of his stern guardian, the Judge of Paris Claude Frollo. His first venture into the city leads him to Esmeralda, a fearless Romani woman whose defiance of Frollo's tyranny draws her—and Quasimodo—into his dangerous obsession.

Legendary secrets are revealed as Aladdin and his friends—Jasmine, Abu, Carpet and, of course, the always entertaining Genie—face all sorts of terrifying threats and make some exciting last-minute escapes pursuing the King Of Thieves and his villainous crew.

This darkly satirical musical reframes American history through the eyes of those who attempted – successfully or not – to kill US presidents. Structured as a surreal carnival sideshow, the piece weaponises American musical traditions – vaudeville, folk ballads, barbershop quartets, patriotic Sousa-style marches and Bacharach pop – to undercut the myth of the “American Dream,” exposing how frustration, alienation and entitlement can curdle into violence.