Daria Deflorian

Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.

Follows the lives of three families who live in a three-story building in a Roman neighbourhood.

Sara and Nicola are married and in love. Their lives seem to be perfect: they have an angelic six-year-old daughter, thriving careers and a stable marriage. The birth of their second child, which disrupts the family balance, leads to tragicomic scenarios.

To rescue his daughter, an unstable Special Forces veteran unleashes his inner beast as he pursues her kidnappers — and soon becomes a suspect himself.

Dive into the Eternal City – see Rome like you’ve never seen it before. Storefront robberies, bizarre murders, career dreamers, and cameos from Italy's foremost directors and actors feature in this star-studded omnibus tale about life and love.

Daria is getting married, and Antonio is the best man. They are two artists who have lived in the same building for years, but now she’s moving to another neighborhood. They get to work on a new project inspired by Federico Fellini’s Ginger and Fred, and bring in Emanuele, Monica, Francesco, Martina, and Andrea. First, tap dancing classes, as the script comes together one day at a time, with rehearsals in Rome, Rimini and France, in theaters shut down by Covid-19. Euphoria is running high, despite the uncertain times, and our theater troupe starts to resemble a gaggle of shipwreck survivors, bewildered by the way real life gets confounded with what is tentatively shaping up as the stage production.

Betty is the owner of the Grand Capitol Hotel, an elegant establishment with retro charm. It is a “jewel” that Betty does not want to see age with her, so she has decided to sell it. Before leaving the hotel, she contacts her granddaughter Emme to spend her last days at the Capitol with her and say goodbye to the hotel with a poolside party.

One of the most highly regarded pairs of authors, directors and performers in European theater, Daria Deflorian and Antonio Tagliarini engage with Federico Fellini's cinematic imagery and his deep look into human lives. A work about meeting each other, dancing together, being a couple, intimacy and dialogue, loosely inspired by the film Ginger and Fred starring Marcello Mastroianni and Giulietta Masina as an elderly tap-dancing couple, Pippo and Amelia. The title comes from the reversal of a line Amelia says at the end of the film to Pippo: “I don't think we will have the chance to dance together again.” It is also a work dedicated to the performers, the masks they wear, and their determination to play all their lives.