Semih Gülen

Irmak (12) idolizes her older teenage friend Aylin, who for Irmak embodies excitement and womanhood. When she plans to move away with her boyfriend, Irmak begins to realize that her feelings for Aylin are more complicated than she knew.

Laura (45) suffers from severe amnesia following an accident, so she can’t remember who the people around her are. She is reluctantly persuaded by her family to go on a boat trip to Turkey, but the closer she gets to her destination, the more unclear the purpose of the trip becomes. They are caught up in a series of situations in which they change their minds depending on the context, their own principles seem to be relativized, their choices become irrational.

It’s been years since Akın has been in and out of the hospital. He’s relentless, angry, and shell-shocked from being stuck in the system. Since his discharge, he’s well aware that his old life is long gone. He has become unable to leave his family house except for occasional visits to religious monuments in Istanbul. During those visits, he falls into a state of ecstasy as he tries to take refuge in God. These divine structures trigger something in him. As he loses touch with his true self, his mind shifts into another reality.

Three old acquaintances debate different interpretations of the Koran, Christian sects, their lives, and life after death in a tiny, cramped neighborhood barber shop.

Nergis goes to another city just to get away from everything she wants to get away from, but unfortunately takes all the feelings she wants to get away from with her.

Hit me Baby chronicles a week in the life of Hatice, a female boxer, right before she attends the national tryouts. As a lower class woman without a college degree and any qualifications Hatice has only two options: either succeed in sports or get married. However, all her efforts and drive take a big hit after she loses her match-up. Even though Hatice tries to climb up to success, there comes a point where she can no longer resist the people around her who are always trying to bring her down and slowly starts turning into the woman they always expected her to be.

Abdurrahman, a senior student at the conservatory, grows curious about the meshk (one to one traditional art training) of Mawlid (a hymn on the Prophet Muhammed's Nativity) and starts searching in order to perform this form of music that relies on traditional training.

Two zoologists seeking the extinct Anatolian panther search for its traces in the deep forests of Anatolia. Veysel believes the almost mythical panther embodies something beyond an animal, an element that Anatolian people have lost and are still looking for. For Emre, only the idea of photographing the absent Anatolian panther excites him. They manage to capture an obscure image of the large cat, but they can’t prove it is the panther’s. The two friend are surprised and disturbed when they see stuffed panthers at the offices of some bureaucrats. A secret Veysel reveals to Emre in Hacıbektaş changes both of them. Will searching for something non-existent destroy them, too?