Guido Henderickx

In the Belgian hamlet of Verbrande Brug, former lovers Monique and Louis reconnect at a carnival, stirring up drama with their current partners.

A policeman neglects his young, attractive wife because of his professional duties. Soon, he has to face the fact that she deceives him. It seriously complicates the case he is working on: attractive young women are brutally killed by means of a pencil rammed into their noses until the brain is pierced.

The story follows Vinaya, a nine-year-old boy who lives off his vivid imagination. His only companions are his beloved horse, Victor, and his grandmother. She frequently fills his head with dreams and legends about Sensei, a mysterious figure who allegedly crossed the mountains into a mythical land of fabled animals. When his grandmother passes away, Vinaya is left completely alone. He decides to embark on a journey across the world to find Sensei. Along the way, he teams up with a rough, nomadic drifter. This adventurous quest ultimately transforms into a universal tale of initiation into adulthood.

Jules, a rebellious septuagenarian, foments a revolt in his home ruled by quasi-military rules. He and his twenty supporters will oppose the management, the firefighters and even the gendarmes.

Three 'Bukowskian' torrid nights in the life of a man, Harry, in search of love. The first is as a youth, the second on the day of his high school graduation, and the third as a lonely, middle-aged man.

The deeply socially engaged documentary filmmaker Frans Buyens had long dreamed of making the transition to fiction filmmaking. The experimental Ieder van Ons was a first attempt in that direction. In essence, it was an inquiry film shot in a cinéma vérité style about appearance and reality in social commitment. With Ieder van Ons, Buyens wanted to jolt the viewer’s conscience and make them aware of the duty to face the truth and to act accordingly. To achieve this, he combined a fictional plot with documentary scenes. On the one hand, the film contains acted sequences about the awakening conscience of a ruthless political figure; on the other hand, Buyens himself appears before the camera to introduce several actors, their characters, and the situations in which they are about to become involved.

Cinema version of the 5 part TV series. During World War II, Stan Vandewalle saves boxing trainer Max from the bombed German war prisoners camp, and shoots two German soldiers while escaping. After the war, Stan resolves to put all his frustration over the death of his slow-witted brother Aloïs, who dreamed of becoming an opera singer, with his side-car against a farmer's truck in making come true Aloïs other dream, to see Stan becoming 'king of the world' as boxer.

The documentary's legacy lies in its unapologetic fusion of agitprop and satire, a signature style of De Hert’s Fugitive Cinema collective. By juxtaposing Mandel’s economic theories with absurd military parades, the film exposes the contradictions of a society preparing for war while its social fabric decays. De Hert employs rapid montage, pop music, and street-level interviews to strip away the facade of state authority.Decades later, Le Filet Américain remains a vital historical document. It captures a specific era of Belgian polarization, marked by economic crises and the rise of the gendarmerie. The metaphor of the meat grinder endures as a powerful critique of how institutional systems compromise individual dignity for corporate profit.