François Yazbeck

When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

Based on D. H. Lawrence's short story A Modern Lover. Nabuco comes back after a long absence and finally confesses his love for Mariela.

The tuberculosis sanatorium was both heaven and hell within the same walls. The story of the epidemic includes death, shame and isolation as well as sanatorium romances, fun and survival stories. The film takes the viewer on a vivid journey into the sanatorium era: it gives the viewer a sanatorium experience full of surprises, and through documentary evidence, takes us to the heart of the secrets.

Maia, a single mother, lives in Montreal with her teenage daughter, Alex. On Christmas Eve, they receive an unexpected delivery: notebooks, tapes, and photos Maia, from 13 to 18 years old, sent from Beirut to her best friend who left for Paris to escape the civil war. Maia refuses to open the box or confront its memories, but Alex secretly begins diving into it. Between fantasy and reality, Alex enters the world of her mother’s tumultuous, passionate adolescence during the Lebanese civil war, unlocking mysteries of a hidden past.

Anu sees Heloisa regularly in her practice, who, whenever falls in love, begins to suffer from cruel and tormenting obsessions towards her beloved. Heloisa's twisted psyche fascinates Anu in ways she does not fully understand - professionally and personally. But one day, Heloisa abruptly stops therapy. A midsummer party with a couple of friends is interrupted when Anu's son Antti arrives with his new girlfriend - who is Heloisa. Anu is forced to confront her own limitations and the painful memories of Heloisa's therapy relationship, which reveal an obsessive bond between them that threatens to destroy everything.

An elderly crime investigator has reached the end of her career. Shortly after stepping down, she encounters the Devil, who has appeared in the city and begun working as a police photographer. During a series of walks together, a warmth develops between them. Over the course of their conversations, the Devil reveals he needs her help to end his own existence.

A cosmic odyssey of consciousness in a post-human Beirut. It follows two souls trapped in an underground purgatory, blurring the lines between reality and nightmare.

Jamil and Milad are brothers with very different personalities. Jamil is a get-up-and-go carpenter, following in his father's footsteps. Milad is a sensitive trumpeter and dreamer. As their home country, Syria, sinks further into war, Jamil emigrates first to Beirut and then makes an illegal journey to Sweden. Milad stays in Damascus, but eventually can’t take it any longer and decides to leave to Berlin. Their cousin Wissam records their journey for over five years, bringing back childhood memories while questioning the true meaning of home. The traumatic war in Syria plays a background role in this documentary, which focuses more on the psychological effects of being uprooted and the way the brothers, who had previously hardly travelled, deal with emigration. It draws with humility and admiration the human ability to cope with change, as radical as it can be. Jamil and Milad are achievers, each adapting his own way.