François Yazbeck

When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

Anu sees Heloisa regularly in her practice, who, whenever falls in love, begins to suffer from cruel and tormenting obsessions towards her beloved. Heloisa's twisted psyche fascinates Anu in ways she does not fully understand - professionally and personally. But one day, Heloisa abruptly stops therapy. A midsummer party with a couple of friends is interrupted when Anu's son Antti arrives with his new girlfriend - who is Heloisa. Anu is forced to confront her own limitations and the painful memories of Heloisa's therapy relationship, which reveal an obsessive bond between them that threatens to destroy everything.

The tuberculosis sanatorium was both heaven and hell within the same walls. The story of the epidemic includes death, shame and isolation as well as sanatorium romances, fun and survival stories. The film takes the viewer on a vivid journey into the sanatorium era: it gives the viewer a sanatorium experience full of surprises, and through documentary evidence, takes us to the heart of the secrets.

Jamil and Milad are brothers with very different personalities. Jamil is a get-up-and-go carpenter, following in his father's footsteps. Milad is a sensitive trumpeter and dreamer. As their home country, Syria, sinks further into war, Jamil emigrates first to Beirut and then makes an illegal journey to Sweden. Milad stays in Damascus, but eventually can’t take it any longer and decides to leave to Berlin. Their cousin Wissam records their journey for over five years, bringing back childhood memories while questioning the true meaning of home. The traumatic war in Syria plays a background role in this documentary, which focuses more on the psychological effects of being uprooted and the way the brothers, who had previously hardly travelled, deal with emigration. It draws with humility and admiration the human ability to cope with change, as radical as it can be. Jamil and Milad are achievers, each adapting his own way.

There is no ready formula for changing the world. “Radical Creatives” recognises the potential of creativity as a force for global change towards a more attractive and nuanced future. The 1-hour documentary explores the underutilized power of radical creativity. It's a story of overcoming self-doubt by using a collective creative force. The film weaves a compelling narrative that captivates the world of Finnish oddity at Aalto University and beyond, where tradition meets rebellion. Creativity is courage and action; it belongs to everyone and lives in all of us.

An elderly crime investigator has reached the end of her career. Shortly after stepping down, she encounters the Devil, who has appeared in the city and begun working as a police photographer. During a series of walks together, a warmth develops between them. Over the course of their conversations, the Devil reveals he needs her help to end his own existence.

In today's Beirut, different characters with unique stories navigate their lives without fully realizing their true desires, which contradict their status quo. As a result, their joy of living becomes a distant dream that feels increasingly unattainable.

Young Alma faces herself in a new light and learns through years of experience what kind of touch she likes. The film is a part of The Hotel Room -short film series, in which all eight stories are set in the same room and told by different up-and-coming filmmakers.