Pierre Dupouey

Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.

The end of an affair from the woman's point of view.

This is the TV adaptation of a novel by Francis Walder. The scene happens in 1570, during the religions wars between catholics and protestants in France. Both sides are decided for a truth, to enable peaceful negociations of a settlement, which will become the peace of Saint-Germain-en-Laye, the same year. The negociation, lead by Henri de Malassise (Jean Rochefort), and the Earl of Biron for the Catholic side, and Mr. d'Ublé and M. de Mélynes for the protestants side.

Quentin and André, two brothers who had lost sight for several years, find themselves in the family home, uninhabited since the death of their parents.

In a house half devastated by a cataclysm, men and women take inventory of the sonic rubble of their memory during a musical ceremony.

A couple in a hotel room in Brussels. A painting by Brueghel. In this painting, a mystery.

Sophie Tatischeff's short film set in the small town of Sainte-Sévère-sur-Indre, three decades after its use in her father's film 'Jour de Fête'. The conversation from a typical village bar is transplanted to a patisserie with particularly tempting tartlets: 'No reason for us not to have another' says one habitué; 'no more for me thanks,' says another. 'A shortbread at this time of day?' asks the woman behind the counter.

Jérôme and Sophie are "foreigners". They evolve in a world whose rules seem to them as many constraints and adopt unusual behaviors which can disorientate their interlocutors. They say they are brother and sister and many people prefer to believe them and be satisfied with this version for fear of supporting a situation that is too scabrous. Only Olivia accepts to assume the situation. Her taste for derision and her humor allow her to overcome the provocations of the couple and to take an ascendancy on them.