Paul Frankeur

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

The action takes place under the Restoration, at the Château de Savigny, near Nerville, a devout and prudish little town in the Cotentin region. Doctor Torty is the doctor. He tells a story of which he is the only one to know the secret, that of a criminal couple, without any remorse. The pretty Hauteclaire Stassin, daughter of the master of arms, meets the Count of Savigny, married to the noble and languid Delphine. Madly in love with the count, Hauteclaire joined the castle as a servant. Shortly after, the countess died of poisoning. Will the guilty lovers go unpunished?

Bum Archimède wants to spend the winter in prison, but to get there proves not to be that easy.

Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

Two men, part tramp, part pilgrim, are on their way from France to Santiago de Compostela in Spain. On their way, they meet a vast assortment of characters—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy preceding him, he sets himself to the task of knowing why the French operations were not so profitable - and soon he is master of all links of the organization. He can now get it honed to perfection - or destroy it. Only... the Police are following his every step.

Handsome dentist Herve Dandieu, temporarily separated from his delectable new wife Virginie by a lovers' tiff, is picked up by sexy dance teacher Anita Flores. Sensing trouble, Virginie follows him, only to find him circumstantially incriminated in murder. Soon, the dance school has a gorgeous new instructress, whose slightly scatterbrained attempts to clear her husband's name confuse both police and suspects...and bringing potential danger.

A group of ex-resistance fighters are brought together by Marie-Octobre, the code name of Marie-Helene Dumoulin. The former members of the network have carried on with their lives after the war, but this evening they are going to have to live again a fateful night – the night their leader was killed. He had been betrayed, his name given to the Germans. The search for the traitor puts each personality in the spotlight – and also that of the killed leader, Castille.

Vallois, a vice inspector for the Paris police, takes special interest in the plight of drug-addicted Lucky (Najda Tiller), whom he considers to be more victim than criminal. Taking it upon himself to wean Lucky away from narcotics, Vallois also wins her love -- and, incidentally, smashes the dope ring responsible for her addiction.

A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.

During World War II, an innkeeper vows to abstain from alcohol for the sake of his family. Years later, as they thrive in Normandy, his resolve is tested by a charming advertising professional who loves to drink.

The story takes place in the racecourses around Paris. A so-called major sells his tips to naive characters.

Star-crossed lovers Thérèse and Laurent think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law, it's only a matter of time before the law, their passion or blind chance trips them up.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...

A thief falls in love with a maid and goes on the run after stealing Leonardo da Vinci's "Mona Lisa."

In a small circus campaign, the act of Valentine, the dwarf, is one of the highlights of the show. But then one night, he grew suddenly and turns into a handsome young man of six feet tall. First mad with joy, he will face harsh reality of normality.

Police Commissioner Jules Maigret returns to the small village where he spent his childhood at the request of the Countess of Saint-Fiacre, who has received a disturbing anonymous letter.

In North Africa, an anguished husband tests the character of the doctor he believes is responsible for his wife’s death.

Denis, a poor student in philosophy, works as a night porter in the Paris market of Les Halles in order to pay for his studies. Constantly weary, he falls asleep and dreams of a beautiful girl in white, Irène, with whom he falls in love.

Robert and Françoise Monier make a hot air balloon to fly to the stratosphere. After a visit to Venus, they return home, but have only aged 15 days whereas 25 years have passed on Earth.

A survivor of the Spanish Civil War who had been in French internment camps takes refuge with a family of winegrowers in the Jura. He becomes attached to this land that is not his own.