Daniela Salazar

The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.

A journey back to the darkest years of the military dictatorship, where Valeria Sarmiento, using for the first time in her career her own voice, reflects on the traces of the political violence of that period and summons the testimony of victims and privileged witnesses, but also the opinion of scientists, memory theorists and researchers of genocides of other times. The result is an intimate account of how these traces have impregnated our life stories, our bodies and also our landscape.

A drama centered on an office worker on the verge of retirement who begins to relive both real and imagined memories.

Helga Gunkel and Flora Gutiérrez, the first women of the Chilean police, are on the trail of a criminal who has returned for revenge on Kerren, a small southern town.

An ode to Chilean maritime myth and storytelling. Sailors onboard the Lucerna tell stories, but before long their stories intersect.