Pablo Gómez-Pando

The acclaimed film director Esteban Martínez is a legend both for his films and for his past marked by violence and excess. For his new project, he offers his daughter Emilia a role under the pretext of helping her with her stalled acting career. Living together on set will foster a closeness they haven’t shared for years, but it will also reopen old wounds that never healed.

Seville, Spain. Juan Santos, a convicted petty criminal, gets out of jail for a day to celebrate with Triana, his wife, the first communion of their daughter Estrella.

A beloved parish priest, Manuel, is ready to leave the clergy and start anew. But when his past threatens to surface, he must face the consequences, beginning a journey that leads him to challenge the institution that protected him.

Germán, an honest family man, sees how his whole world wobbles the night when, driving home, accidentally runs over two teenage girls. From that moment, Germán will have to do everything in his power to prevent his life from being destroyed forever.

Andres Cuadrado is an old-fashioned civil servant. Conservative and somewhat macho, he takes his job at the Ministry of Finance very seriously. He considers himself above all a person "as God commands" and, consequently, he takes it for granted that everything responds to a natural, hierarchical and immovable order. After an unfortunate confrontation with a colleague, Andrés is disciplined and transferred to the Ministry of Equality. There everything is totally new to him: there are no assigned places, no schedules, and everyone is a vegan. Andres will have a lot of catching up to do to adapt to this new order of things.

During Holy Week of 59 in the tragicomic social landscape of Franco's Spain, takes place the sentimental chronicle of a nine years old boy: Pablito. Pablito wants the pedal car he sees in a shop near his home. His family -middle class with bad luck - silently suffers the pressure of the other part of the family- middle class with good luck and best influences. The desire of the car and the hope to get it encourage his parents to take the child, piggy bank in hand, through a strange journey to the colorful and surprisingly familiar world full of lies and blackmail. Pablito emotionally survives in that environment thanks to his ability to get from his imagination the answers that parents and teachers do not give him. And that way, Pablito will create his own happy ending.

Pepa, a 31-year-old woman, and her 6-year-old daughter, Leila, find themselves homeless after a major fight that marks the beginning of the story. "AMA" is the journey of these two forces, which travel a complex path, bringing the concept of "love" into sharp focus.