Mamen Díaz

Spain, 1982. Marisa decides to take her daughter to Madrid to find a solution for an unwanted pregnancy. Lucia ends up in Peñagrande, a reformatory for pregnant teenagers. There, she will forge strong friendships with the other girls and discover the awful truth that her still unborn child is to be taken away from her.

Mamántula is the boy everyone wants, but also a giant spider transvesting as a human, fruit of a brief encounter in the Berlin Tiergarten, in an alternate past of brutalist saunas, endless subway corridors and detectives with raincoats and hats. Each of Mamántula's lovers are a new victim of his insatiable appetite for revenge and sperm; and each victim, one more thread of the web with which he intends to apprehend the entire planet. Will Golden Dick be able to stop him? Will a couple of lovebirds with police badges get him? Or will the gay community have to step in and take the law into their own hands?

A daughter sets out to find out the truth about the man who was her father, a legendary musician, who died when she was 8 years old. He is Antonio Flores, and she the also famous actress Alba Flores. Alba stopped singing when she lost Antonio and is now determined to recover her voice and her background, asking family members and friends for the first time.

Violeta is in her early twenties and is doomed to spend the summer in Madrid doing an internship in a publishing house. During those weeks, she will make new friends, and she will make decisions, some good, some bad. And, above all, she will learn that failure is more an art than a tragedy.