Sophie de La Rochefoucauld

In 1930s France, two sisters who are thought to be able to communicate with ghosts meet a visionary producer while performing in Paris.

Armelle, a French nurse who just recovered from the stab in the face she got from Nadim, his partner, starts a search to get back her daughter, who was taken away by Nadim. Alone before the law, she will do all she can to reach her objective. She puts up posters, founds an association, gets funds to pay for the search, and informs the media about it. An amazing human team gets down to work from France to Montreal, including Paris and Vancouver, until Armelle can hug her daughter again in an airport in the east of Canada, almost three years after she had lost her.

Antoine a Union representative works in a financially troubled factory. He's not the sharpest tool in the box but he has a big heart and when he and his wife win the jackpot of the national lottery. Antoine will invest his gain to try and safe the factory.

Raised to believe in performance and in the idea that all abilities must be optimized, Emma is a young, methodical woman who appears determined and relatively sure of herself. But two consecutive failures (real or imagined) lead her to believe that she has a real problem: she is useless in bed. Because she is more fragile than she appears, Emma hence decides to become... the best lay in Paris! She then sets out on a formidable plan of action (theory, practical, validation of acquired knowledge), which soon provokes a series of misunderstandings and disasters within her immediate vicinity. For one thing, her method doesn't turn out to be really adapted to her field of investigation. And Emma has probably also forgotten a little detail: love doesn't obey any plan. In this absurd and nutty quest, Emma will learn to let go, to lose control, and, to finally win her freedom.

Sexually assaulted by a colleague, a young worker in a paper company tries to end her life. Faced with the denial of the aggressor and the management, the women and men workers led by Louise, the undisputed leader of the company, will mobilize and do everything to see that justice is done.

A historical television film directed by Jean‑Dominique de La Rochefoucauld, Richelieu, or The Day of the Dupes recounts the political tensions that came to a head in November 1630, when Marie de’ Medici attempted to remove Cardinal Richelieu from power. Blending court intrigue, the king’s illness, and decisive reversals, the film portrays the struggle for influence that ultimately cemented Louis XIII’s trust in his minister. Led by Didier Sandre, Patrick Raynal, and Dominique Blanchar, the telefilm offers a meticulous reconstruction of the events that shaped the kingdom’s balance of power.

A woman fights to adopt a war baby from the Third World after becoming unable to conceive.

During the annual party in the château of a wealthy French family, a murder is committed. The small neighboring town is thrown into disorder, suddenly plunged back into the old relationship of master and serfs.