Daniel Kaszas

In order to save her son's life, Ana embarks on a quest to find a powerful stone from the Zone of Silence in Mexico. Someone finds out the power the stone possesses and believes it is a power worth killing for.

When washed-out, has-been actor Francisco, finds out that his ex-wife is about to remarry and take their daughter to live abroad, he'll manipulate everyone around him to stop the wedding and get his family back.

Analogy of the fobia of existence and of the terror of the multifactorial value of life.

Faced with the imminent death of his father, the town postman, Oscar returns to Mexico for the first time and finds that he is now the only man among the handful of women who inhabit this small place where telephones and internet never reached. While trying to return to the United States, he takes charge of the mail and thus learns the stories and wishes of the inhabitants, including a child who asks about his father's letters. Oscar writes him the long-awaited letters and begins to bond with him and with Martha, his mother. When he can finally leave, he no longer wants to and will have to decide between going back or staying and rebuilding his life.

TRANSMUTIS, or how dreams break the silence: a fascinating document. The final days in the life of "El Rubber," the film's central character, who guides us through a tour of his delirious way of looking at things—a uniquely particular magnifying glass that deserves to be shared with the world. El Rubber takes us far away while keeping us close; El Rubber's final days are learning and myth, the myth of everyone placed through the eyes of a madman who questions his existence and reflects on a reality we all inhabit without knowing what it means or where it marches. TRANSMUTIS is the way dreams reflect in the celestial vault of our reality, the breach in the silence of souls, and a desperate cry to know the deep truth that underlies daily life and its oneiric present.