Suvineetha Weerasinghe

​A naive village girl’s romantic dreams are shattered when she is forced into an abusive marriage with a cruel aristocrat. Stripped of her innocence, she must find the strength to defy the patriarchal society that bounds her, transforming into a hardened, fiercely independent woman.

A Coincidental meeting of a Soldier and an Army officer at a dark night, in a forest burning with war, between Sri Lankan Army and the Liberation Tigers of Tamil Eelam (LTTE). The Soldier's efforts born out of sheer respect to save the life of his critically wounded senior Officer become futile at the end. At the Senior officer's death, the soldier nagged constantly by his conscience and its questioning, feels that he too was responsible for the death of his Senior Officer. in the face of this, the soldier begins to probe into the past of the Senior Officer's life and engages in boundless sacrifice to bring justice to him, and in that process soldier gets Senior Officer's past wrongs corrected.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

Lalith is a chief Clarke of a Government Department. He falls in love with Nilanthi, a newly recruited typist. But Nilanthi is attracted to another handsome young Clarke in the same department named Sagara. Lalith detests this. He starts to suspect each and every act of Sagara and Nilanthi. ‘Dahasak Sithivili’ is based on Lalith’s efforts to prevent himself from getting carried away by these endless suspicions.

Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.

The son of a newly rich industrialist becomes embroiled in a murder cover-up.

Malin parts ways with his father Simon after realising that their ideologies do not match. While the father believes in using fear to control his employees, the son believes in equality and justice.

Wassanaye Sanda (Moon of the Autumn) (Sinhalese: වස්සානයේ සඳ ) is a 2018 Sri Lankan Sinhala romantic drama film directed by Udayakantha Warnasuriya. It follows the story of two young lovers Mihiri & Sandesh and struggles they face.