Michele Mariotti

Michael Mayer’s acclaimed production, first seen in the 2012–13 season, sets the action of Verdi’s masterpiece in 1960 Las Vegas—a neon-lit world ruled by money and ruthless, powerful men. Piotr Beczała is the Duke, a popular entertainer and casino owner who will stop at nothing to get what he wants. Željko Lučić sings Rigoletto, his sidekick and comedian, and Diana Damrau is Rigoletto’s innocent daughter, Gilda. When she is seduced by the Duke, Rigoletto sets out on a tragic course of murderous revenge. Štefan Kocán is the assassin Sparafucile and Michele Mariotti conducts.

From Venice's Teatro La Fenice, the traditional New Year's Concert conducted by Maestro Michele Mariotti, featuring arias, duets, and choral pieces performed by soloists Rosa Feola and Jonathan Tetelman. The event will be enhanced by dance performances by étoiles Eleonora Abbagnato and Friedemann Vogel.

An extraordinary event marking the run-up to the opening of the Rome Opera House for the 2025/2026 season and celebrating the 125th anniversary of *Tosca*.

Guiseppe Verdi's Lusia Miller returns to the Wiener Staatsoper after an absence of 36 years. This production is conducted by Michele Mariotti and stars Nadine Sierra and Freddie DeTommaso. Stage direction by Philipp Grigorian.

Dialogues of the Carmelites. Opera in three acts and twelve scenes by Francis Poulenc, based on the play by Georges Bernanos. Orchestra and Chorus of the Teatro dell'Opera di Roma conducted by Michele Mariotti, directed by Emma Dante.

In 15th-century Venice, Jacopo Foscari, son of the Doge of Venice Francesco Foscari, is to be tried by the Council of Ten for a crime of which he claims to be innocent. The Foscari family’s sworn enemy, the vindictive Jacopo Loredano, treacherously secures his sentence of exile. Despite the pleas of Lucrezia, Jacopo’s wife, the unfortunate father is forced to sign his son’s banishment order, even though he is convinced of his innocence. The young man dies of despair just before the real murderer comes forward. Loredano secures the removal of Francesco Foscari, who collapses, lifeless. "I due Foscari" is an opera in three acts by Giuseppe Verdi, with a libretto by Francesco Maria Piave, which premiered at the Teatro Argentina in Rome on 3 November 1844.

Verdi’s I Masnadieri returned to Teatro alla Scala in June 2019 in a new production directed by David McVicar and conducted by Michele Mariotti. Based on Friedrich Schiller’s play The Robbers, this rarely performed early Verdi opera explores the destructive consequences of family rivalry, betrayal and the struggle between idealism and corruption. McVicar’s staging brings the work’s dark Romantic atmosphere and intense emotional conflicts to the forefront, supported by sets designed by Charles Edwards and costumes by Brigitte Reiffenstuel. The cast features Fabio Sartori as Carlo, Michele Pertusi as Massimiliano, Massimo Cavalletti as Francesco and Lisette Oropesa as Amalia, making her La Scala debut.

Michele Mariotti conducts Gioachino Rossini’s *Tancredi* for the first time. Carlo Vistoli takes on the title role. Joining him on stage are Martina Russomanno, Antonino Siragusa, and Luca Tittoto. Directed by Emma Dante, with set design by Carmine Maringola. The Orchestra and Chorus of the Teatro dell’Opera di Roma.

Juan Diego Flórez dazzled audiences and critics alike when he played the virtuoso role of Orphée in La Scala’s first ever staging of Gluck’s opera in its French version: “Juan Diego Flórez delivered a lesson in style. His tone is darker and his projection more self-effacing than in the past, but class is permanent. His agility and legato are utterly thrilling. The ovations were never-ending.” (Corriere della sera) The present release is a production by Royal Opera House, Covent Garden, London Recorded live at Teatro alla Scala, Milan, March 2018. Gluck’s Orpheo ed Euridice was first performed in 1762. It is the first of Gluck’s “reform” operas, in which he attempted to replace the abstruse plots and overly complex music of opera sera with a “noble simplicity” in both the music and the drama. The present production was staged by Hofesh Shechter and John Fulljames.

Opera in one prologue and one act. Music and libretto by Luigi Dallapiccola. Mattia Olivieri in the title role, Ángeles Blancas Gulín as La Madre. Orchestra and Chorus of the Teatro dell'Opera di Roma conducted by Michele Mariotti. Directed by Calixto Bieito.

Simon Stone's take on Arrigo Boito's Mefistofele, opening the 2023/2024 season at the Opera di Roma.

To open the 2023–24 opera season, the Teatro dell'Opera di Roma presents a new production of *Mefistofele*. This opera, in a prologue, four acts, and an epilogue by Arrigo Boito, is inspired by Goethe’s *Faust*. The production is directed by Simon Stone, with Michele Mariotti conducting.

Princess Aida has been kidnapped: a valuable prize in a war between Egypt and Ethiopia. The ambitious soldier Radames wrestles with his feelings for her. As they draw closer together, each must make a painful choice between their loyalty to home, and their love for each other. his new production of Rome combines the colossal and the intimate. For Michele Mariotti, conductor and music director of Teatro dell’Opera di Roma, Verdi’s genius lies in his managing to combine spectacular, triumphal elements with a love story that unfolds far from public space in delicate pianissimi and sotto voce singing.

Two one-act operas adapted by Emma Dante, conducted by Michele Mariotti. Two ways of understanding love and exploring the boundaries between reason and madness. The protagonists embody the pain of abandonment and the driving force behind the tragedy: for love, people commit extreme acts, just as the theatrical gesture within a grand opera is extreme.

From the Salone dei Corazzieri in the Quirinale Palace, the traditional concert to mark the 80th anniversary of Italian Republic Day. The Rome Opera House Orchestra, conducted by Michele Mariotti.

Juan Diego Flórez takes on the lead role in this performance of Rossini's opera at the 2012 Pesaro Festival. Corradino (Flórez), a paranoid, misogynistic lord, is in the care of Aliprando (Nicola Alaimo), a doctor who is concerned that the poor spirits of his employer will damage his health. He duly attempts to make Corradino fall in love with the beautiful and self-willed Matilde (Olga Peretyatko). Will the plan succeed?