Raymond Pellegrin

Acting

Raymond Pellegrin

Born January 1, 1925 · Nice, Alpes-Maritimes, France

Died October 14, 2007 · aged 82

Raymond Pellegrin (1 January 1925 – 14 October 2007) was a French actor. Born in Nice, Pellegrin made his screen debut in the 1945 French feature Naïs. He was also famous in France for dubbing Jean Marais for the voice of Fantômas in the eponymous film trilogy. He married actress Dora Doll on 12 July 1949; the couple had a daughter named Danielle, and divorced in 1955. He married actress Gisèle…

Known For

FantomasFantomas · 1964
Fantomas
★ 6.81964
MovieComedyCrime
Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.
Fantomas UnleashedFantomas Unleashed · 1965
Fantomas Unleashed
★ 6.71965
MovieComedyCrime
In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.
Fantomas vs. Scotland YardFantomas vs. Scotland Yard · 1967
Fantomas vs. Scotland Yard
★ 6.71967
MovieComedyCrime
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
The Knock Out CopThe Knock Out Cop · 1973
The Knock Out Cop
★ 6.51973
MovieActionComedy
Inspector “Flatfoot” Rizzo investigates crime and corruption in Naples.
BoleroBolero · 1981
Bolero
★ 6.91981
MovieDramaMusic
The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.
Behold a Pale HorseBehold a Pale Horse · 1964
Behold a Pale Horse
★ 6.01964
MovieDramaWar
Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.
Imperial VenusImperial Venus · 1962
Imperial Venus
★ 4.11962
MovieDramaHistory
Pauline Bonaparte, sister of the famous Napoleon, embarks on a series of amourous escapades, including an engagement to the Conventionnel Fréron; her relationship with the comté de Canouville; and her marriage to General Leclerc, whom she follows to Saint-Domingue.
Le Deuxième SouffleLe Deuxième Souffle · 1966
Le Deuxième Souffle
★ 7.71966
MovieActionDrama
A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.

Filmography

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We Are All MurderersWe Are All Murderers · 1952
We Are All Murderers
★ 6.71952
MovieCrimeDrama
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Gino Bollini