Heron D'Ávila

A man remembers forty-eight crucial hours in his life when, as a child, he visited his mother, the favorite woman of an important politician, in a bordello owned by him, right before some important political changes in 1937 Brazil. In those hours, he discovers his own sexuality.

Movie director visits a set on a studio about to be closed. For his next film, he wants his faithful favorite actress, but she is now tempted by a profitable TV deal.

Ana is going through psychological problems. She and lifelong friend Cléia decide to revisit the place they spent their childhood together in an attempt to get better results in her treatment. But they meet a stranger who will upset their plans.

Widowed one year ago, Eleonora, a 33-year-old woman from Sao Paulo's upper bourgeoisie, lives alone, unsuited to her husband's absence, an intellectual frustrated and torn between the need for transcendence and a strong sexual compulsion. The life of the couple, although not happy, was intense. However, the presence of her a long-time friend Ana Maria, just arrived from Paris, a middle-class university student, is staying at his house. The two go to the site of Eleonora and she remembers her life with Marcelo and his death by drowning.

Bored with their marriage, the architect Marcelo proposes his wife Ana, a relation to three, with another sexual partner. The woman accepts, but the situation escapes from Marcelo's control because Ana engages lovingly with each other, and Marcelo no longer fits in the triangle proposed.

Two hitchhiking young women involve the men who give them a lift in a game of sex, telepathy and death.