João Campos

The daily life of a threesome.

Brazil, 1940. Maria, a young outlaw, discovers she is pregnant; after her band is wiped out, she flees to the Center-West to give birth and start life anew. She joins Getúlio Vargas’s "March to the West" government program, which promised land to small farmers. In the first half of the story, Maria confronts untamed nature—discovering that farming is an art. In the second, her past comes back to haunt her, and she must summon her fiercest, most indomitable courage.

At the height of Brazil’s military dictatorship, a flight would change the fate of everyone on board. Among the passengers were a mother, her two young children, and militants from VAR-Palmares with a daring plan: to divert Flight 114 to Cuba. Caravelle 114 reconstructs, in fiction, the events behind the hijacking that defied the Brazilian dictatorship.

Cat-loving veterinarian Francisco finds a curious way to deal with homophobia in his town.

You know all that bullshit about having a child, planting a tree, and writing a book? Pedro is only interested in the damn book.

Osmar is trapped in the rhythm of a cloistered life. When Caliandra appears, he sees an opportunity to escape and understand his own nature.

A young man from Brasilia struggles to connect with his autistic brother. His quest for understanding leads him to study music therapy in Argentina and traditional music in India.

When she was a young girl, Heloisa was harshly torn apart from the love of her life: Pedro, a straightforward romantic young man whose powerful family strongly believes the ends always do justify the means. Because she comes from a very humble background, Pedro's parents set up all kinds of intrigues in order to prevent the couple from fulfilling their seemingly predestined love story. Twenty years later, all it takes is a casual encounter to spark that feeling again and have them fighting against not only Pedro's family tricks, but also Heloisa's mighty and unscrupulous husband.

1988. Diagnosed with a serious ailment that could bring an end to his career in front of the cameras, Brazilian TV presenter Silvio Santos looks back on his journey to becoming one of the biggest presenters in all of Brazil.