Marcelino Aupart

Mexican feature film

Analytical view of one of the least reported conflicts of national cinema: the Cristero movement that developed in the regions of western Mexico between 1926 and 1929, highlighting the inability to be faithful to both the Church and the State.

Men are turning up dead after receiving anonymous threats that include the date of their deaths. The latest person to receive one of these threats decides to call Santo the crime fighting wrestler for help. Santo must solve the mystery of the men's murders and confront a gang of Nazis operating in Mexico City.

An unnamed man goes to a hotel to commit suicide with pills while listening to songs by Marlene Dietrich. But that act that seems to trigger the mere memory of places and experiences before dying, suddenly merges with other characters and dramatic experiences, which give life to a limit work, of desperate, almost intolerable courage, obstinate in dismantling all institutional discourses of the history of Mexico, without ceasing to use extraordinarily all possible cinematographic resources.