Emanuele Marchetto

A daring horror-anthology film built from seven segments, each by a different director, unified under the theme of taboo, the body and the repressed. The collection turns its gaze toward the most demonised and fetishised frontier of bodily representation — the anus — and uses this “hidden” territory to explore anxiety, identity, desire, repression and liberation. The stories vary in tone and style—some digital-age allegory, some dream-like psychological journeys, some extreme body-horror—but all form a choral fresco: each segment maintains its individual voice while entering into a dialogue with the others. The project positions itself not simply as provocation but as a political, aesthetic dissection of the obscene, asking where cinema’s boundaries lie, and what is suppressed, shown or revealed.

In an unspecified future the human race is struck by a light that pushes those who see it to suicide. But there is someone who tries to save those affected by facing the danger of becoming attached to them.

After causing the collapse of their own planet, the Anatar people of humanoid aliens who evolved from ducks, are searching for a new celestial body to call a nest. During their wanderings in space they land on Pandono, a place where living beings and nature have found their strange balance. Love, war, spaceships and space ducks are the ingredients of this grotesque modern fairy tale about accepting what is different from us.

XXX DARK WEB is the new controversial anthology movie directed by five of the most extreme international contemporary directors.

New horror anthology that explore the morbid side of the deep and dark web.

Made up of nine shorts, Vore Gore (2021) is an anthology that explores the links between sex and violence, consumption and capitalism all under the umbrella theme of voraphilia.

An anthology film that features four segments. Contagium: The beginning of a global pandemic originated by the macabre experiment of a military scientist. Gully: The calvary of a young man who, as a result of his ambition, is the victim of a painful metamorphosis. The Body: The martyrdom suffered by a woman obsessed with beauty and who resorts to a home cosmetic surgery in order to save money. The Cabin: A post-apocalyptic era in which money becomes the only means that can allow the infected to stay alive.

The story is set in an indefinite time. In a dungeon, five people fight for their survival: three women, Blonde, Black and Red; a theologian and a young doctor. Out of this hiding place reigns the APOCALISSE. Evil was generated by a zero patient and a group of ex-soldiers, called "Exterminators", crucifies any person you meet to find the origin of the evil. Are the five really safe in this place or is there something they don't know?