Daniela Appolloni

A gravity-defying boy raised in seclusion matures into an extraordinary man -- and an international celebrity -- who longs for human connection.

Grazia is a free-spirited mother-of-three married to shy fisherman Pietro and living on the idyllic but isolated island of Lampedusa in the Mediterranean Sea. She shows signs of manic depressive behavior — one moment she's laughing wildly and swimming half-naked in the sea, while the next she's curled in a ball on her bed. Out of her earshot, the adult members of her extended family vaguely discuss sending her to a facility of some sort in Northern Italy.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

Pollution caused by an incinerator drives people mad and turns them into maniac killers. But, instead of the victims' bodies, the three wise monkeys are found (one cannot hear, one cannot see, one cannot speak).

As Pope Pius XIII hangs between life and death in a coma, charming and sophisticated moderate English aristocrat Sir John Brannox is placed on the papal throne and adopts the name John Paul III. A sequel series to “The Young Pope.”