Samson Raphaelson

Writing

Samson Raphaelson

Born March 30, 1894 · New York City, New York, USA

Died July 16, 1983 · aged 89

​From Wikipedia, the free encyclopedia Samson Raphaelson (March 30, 1894 in New York City – July 16, 1983 in New York City) was an American screenwriter and playwright. Born in New York City, Raphaelson worked on nine films with Ernst Lubitsch, including Trouble in Paradise (1932), The Shop Around the Corner (1939), Heaven Can Wait (1943), and That Lady in Ermine (1948). He also collaborated wit…

Known For

You've Got MailYou've Got Mail · 1998
You've Got Mail
6.71998
MovieComedyRomance
Book superstore magnate Joe Fox and independent book shop owner Kathleen Kelly fall in love in the anonymity of the Internet—both blissfully unaware that he's trying to put her out of business.
The Shop Around the CornerThe Shop Around the Corner · 1940
The Shop Around the Corner
8.11940
MovieComedyDrama
Two employees at a gift shop can barely stand one another, without realising that they are falling in love through the post as each other's anonymous pen pal.
SuspicionSuspicion · 1941
Suspicion
7.11941
MovieMysteryRomance
A sheltered heiress falls for a charming playboy and elopes with him, but soon discovers his gambling vice and mounting debts. As his lies deepen and those around them meet mysterious ends, she begins to suspect that her husband’s affection may conceal a deadly motive—and that she could be his next victim.
Trouble in ParadiseTrouble in Paradise · 1932
Trouble in Paradise
7.41932
MovieComedyCrime
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
The Merry WidowThe Merry Widow · 1934
The Merry Widow
6.71934
MovieComedyMusic
A prince from a small kingdom courts a wealthy widow to keep her money in the country.
The Jazz SingerThe Jazz Singer · 1927
The Jazz Singer
6.11927
MovieDramaMusic
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
The Jazz SingerThe Jazz Singer · 1980
The Jazz Singer
5.91980
MovieDramaMusic
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer.
Heaven Can WaitHeaven Can Wait · 1943
Heaven Can Wait
6.91943
MovieComedyRomance
Spoiled playboy Henry van Cleve dies and arrives at the entrance to Hell, a final destination he is sure he deserves after living a life of profligacy. The devil, however, isn't so sure Henry meets Hell's standards. Convinced he is where he belongs, Henry recounts his life's deeds, both good and bad, including an act of indiscretion during his 25-year marriage to his wife, Martha, with the hope that "His Excellency" will arrive at the proper judgment.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Writer