Richard Thériault

The nuns of a musical convent work hard in order to prevent the religious school from closing.

Le Mirage is the perspective of a man in his thirties asking himself "what am I chasing?" Our society has become all about consumerism, if not excess. Success is determined by what and how much we have and "stuff" becomes the band-aid to a meaningless existence. Stuff fills the void of the existence we weren't meant to lead.

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.

Faced with the trials and obstacles of life, the tight-knit community of Ste-Adeline has always remained united. But this time it's in shock and will have to face a situation that will confront the inhabitants with their contradictions. At the center of the scandal, Magalie, a teenager with a childish pout, Manuel, the adopted child of the village's emblematic mayor, and Isabelle and Chantale, protective mothers but powerless witnesses to a predicted tragedy. In Ste-Adeline, appearances are deceptive and the layers of a carefully maintained social veneer end up cracking, revealing the true nature of the inhabitants of this peaceful little town.

After learning of her convent's closure, a nun prays to Marie of the Incarnation and receives an answer in person.

All the vampires have to take a special potion made by Ghyslain Chabot to be human. Chabot's wife isn't a vampire yet but wishes to become one. Ghyslain doesn't share her desire because of all the rules and responsibilities inherent in being a vampire. As a result, Ghyslain's wife throws him out of the house without the potion.

In this French Canadian thriller, an actress wins the role of a murder victim in a film based on the true story of an unsolved crime. She discovers her neighbor was the lover of the woman who was murdered in real life -- and is still a suspect.

A man disappears. As nature always wants to fill the void, Frédéric Venne, Myriam Lambert and Robert Laplante will transform their lives to fill this emptiness. What is the motive of all this? Is it to fill their own existence? To what extent are we willing to transform our own existence to comply with other people's expectations? It is a thriller of the mind that questions us on how we follow our own path in life.