Vana Barli

Antonis Dermitzakis, a wealthy businessman, dies leaving a huge inheritance to his niece, Maria Chrysostomidou, a 21-year-old girl who lives in a village, Makrychori. The lawyers of the firm Stamatiou and son encourage the relatives of the deceased to legally claim the property. At the same time, a major newspaper publisher commissions journalist Dimitris Vassiliou to find and write an article about the wealthy heiress. Although he initially tries to avoid it, he finally undertakes the mission...

A paranoid state organises bank robberies to save its crumbling economy.

Tamtakos wants to do business in Albania so he can be rich quickly.

The life of a sidekick goes from bad to worse as it can not find a job and do not have to eat. Returns Thessaloniki disappointed and determined to kill himself, but knows a rich girl, prepared and this put an end to her life.

Thanasis lives in today's conditions, where Greece is a madhouse. A police sergeant after many years of impeccable service, he anxiously awaits his long-awaited promotion. At the new police station where he has been assigned, somewhere in the center of Athens, he faces incidents of daily madness, lawlessness, and corruption, while also dealing with his own personal anxieties about his unfortunate family, especially his son, who is an anarchist. There is no shortage of conflict between them, as each tries to impose his ideas and beliefs on the other. But who are the people behind the illegal networks, and how can Thanasis find a way out of his predicament?

Eliza Stamatiou lives with her mother, Margarita, and her younger brother, Giorgos, somewhere in Brahami. Their financial situation is very good and everyone at home has relative freedom of movement. Eliza works for a large insurance company, but her "secret" desire is to work in cinema, regardless of her specialty. In the boredom of everyday life and a rather indifferent life, Eliza juxtaposes her imagination, which has been fueled by endless hours in movie theaters or in front of the video. Her generally unsuccessful attempts to transfer elements and situations from movies and their corresponding heroines to her daily life, provoke laughter and emotion.