Andreas Homoki

The opera "Carmen" caused a scandal at its premiere at the Opéra Comique in Paris. Now the feisty Carmen returns to where it all began. Andreas Homoki sets his new production at the Opéra Comique in several eras. Mezzo-soprano Gaëlle Arquez shines in the leading role, with Louis Langrée as musical director. Georges Bizet's world-famous opera returns to the site of its world premiere in 1875. German director Andreas Homoki transposes the story of the beautiful Romani woman and the soldier Don José into three epochs corresponding to the opera: the year of its scandalous premiere; the time of the Resistance, which alludes to the secret love affair; and the present day with the #MeToo movement, which stands for the heroine's sexual emancipation. Recording from April 26, 2023 at the Opéra Comique, Paris

Hoffmann, the poet, is torn between art and life, love and fantasy, dream and reality. His love for Stella, the singer, remains unrequited, and he takes refuge in alcohol and the world of his imagination. Over the course of a wine-soaked evening, he tells his friends of three fantastical love affairs…

Puccini's Madama Butterfly, one of the most played operas today, is performed on the Seebühne for the first time. Stage director is Andreas Homoki, who together with Michael Levine's magical stage set with it's subtle landscape paintings brings Japanese flair to Lake Constance, supported not at least by Antony McDonald's colorful costumes.

Der Ring des Nibelungen in a production of the Zürich opera house, recorded 2024. "Dramatic music-making at its finest". In the hands of General Music Director Gianandrea Noseda and Stage Director Andreas Homoki, Wagner's myth is represented as "a dysfunctional family of gods" (The Independent) in a polished yet unpretentious production that underscores the humanity of the characters, who are performed by the same exceptional cast of singers across all four operas.

Der Ring des Nibelungen in a production of the Zürich opera house, recorded 2024. "Dramatic music-making at its finest". In the hands of General Music Director Gianandrea Noseda and Stage Director Andreas Homoki, Wagner's myth is represented as "a dysfunctional family of gods" (The Independent) in a polished yet unpretentious production that underscores the humanity of the characters, who are performed by the same exceptional cast of singers across all four operas.

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.