Łukasz Czajka

Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.

A film about contemporary Belarus, freedom and art. A mysterious artist appears on the streets of Minsk and starts to paint. Passers-by, intrigued, want to know what he is creating, but the artist will not reveal his secret. Step by step, the viewers learn more about him. His name is Zahar Cudin and he is one of the most promising Belorussian painters.

The scientists speaking in the film make it clear that hundreds of people in institutes around the world worked together in working groups on the digital breakthrough. In Poland, we did not have advanced equipment, but scientific thought did not differ in level from the West. Parallel to the political events - the Solidarity strikes, the Round Table talks, the dismantling of the Eastern Bloc - a digital revolution was taking place.

The key aim of every ZOO is to protect animal species from extinction. In times of war, the most endangered species was the man. Under the Nazis' noses, about 300 people, mainly Jews, found shelter at the Warsaw Zoo during the Second World War. With the help of reenacted scenes with animals, interviews with the survivors, and archive footage, we are going to revive the surreal atmosphere of those events.