Andrea Queralt

A man and his son arrive at a rave lost in the mountains of Morocco. They are looking for Marina, their daughter and sister, who disappeared months ago at another rave. Driven by fate, they decide to follow a group of ravers in search of one last party, in hopes Marina will be there.

Exploring the issue of stolen children in Spain, the plot tracks Vera’s search for her biological son, given in adoption, thereby coming across Cora and her adoptive son Egoz.

Jo is wild, melancholic, only 15 and today she misses the school bus, once again. Her mother insists she doesn’t have a car, even though it’s parked outside. Furious, Jo tries to damage the car. Her mother intervenes, and that is the last time they will meet in the physical world – at least in body form. Throughout the day, subtle signs and symbols from the dream world quietly surface around her, but she fails to recognize them, indeed Jo is unaware that she is living the last day of her life.

Moon travels through a mysterious unexplained world free of adults. Moon meets a scholar turned sage and her translator in a mountain hut, where she tries to understand what is happening, based on a play by Don DeLillo. She meets many others who perform for her, show her a film, give her gifts, show her different possibilities for living. She observes and moves on into an unknown future.

When Amador Coro gets out of prison for having provoked a fire, nobody is waiting for him. He returns to his home town, a small village hidden in the mountains of rural Galicia, to live with his elder mother, Benedicta, and three cows. Life goes on calmly, following the rhythm of the nature. Until the night when a fire devastates the region.

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

At a party in Barcelona, Helena hopes to meet an old lover from who she is still in love. While the night moves forwards, her initial sensuality becomes disdain.

Rudi and Silvia, with their children Martín, Federico and Silvina, escape from the city to spend a few days in their country house. Rudi gets into arguments with the neighborhood landlord. Children wander around the area. Martín likes fire. Fede is scared. One day, the abandoned house in the background suffers an unexpected fire and a dead person appears: a homeless man suffocated by the smoke. The children did something. Something horrible. Now, we will have to see a way to return to the desired calm.