Marie-Bénédicte Roy

Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She's both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.

Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.

The Farels are a power couple: Jean is a prominent French pundit and his wife Claire an essayist known for her radical feminism. Together they have a model son, Alexandre, who is a student at a prestigious American university. During a brief visit to Paris, Alexandre meets Mila, the daughter of his mother’s new partner, and invites her to a party. The next day, Mila files a complaint against Alexandre for rape, destroying family harmony and setting in motion an inextricable media-judicial machine that posits opposing truths.

Captain Eloïse Gentil, of Caen police, hasn't been on speaking terms with her father Robert, an expert on WWII, for twenty years. But the two are brought together to investigate the death of James Crawley, a 91 year-old former GI, found tied to a pole and in his uniform, apparently executed "as an example".

In the sterile setting of a powerful multinational, a ruthless corporate executive and her ambitious protégée bare their claws in a vicious battle for supremacy.

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

"Allow me to be your husband." Not only does Alix Saint-Cast, who has Alzheimer's disease, recognize her husband Octave two days before her Golden Wedding, she has also fallen in love again. Their new beloved is Farhad Mozafari, Iranian, also suffering from Alzheimer's disease and can not be separated from Alix. So Farhad has to come with son Iradj and his little daughter to the stately home of the Saint-Casts. However, they are only gradually aware of the unusual family encounters that newcomers have accepted.

An anonymous hacker has hacked all of Paris' cameras and observes the city unbeknownst to its inhabitants. Petty crimes and moments of stolen intimacy, he sees everything. Until the day that an explosion lays waste to the Gare d'Austerlitz. The police starts tracking down an Al Queda satellite group. The hacker succeeds in finding images of the explosion and discovers that it was a young couple who planted the bomb. Using the city's cameras, he decides to hunt down the criminals.