Kevin Ford

A portrait of the life and career of Robert Downey Sr. (1936-2021), the visionary and fearless US filmmaker — father of actor Robert Downey Jr. — who in the sixties and seventies laid the foundations for countercultural comedy.

The first of two Latinas to represent Texas in Congress, Veronica Escobar, and the only African-American woman to run for city council in Austin in 2018, Natasha Harper-Madison, lead a diverse group of progressive voices across Texas as they fight decades of institutional racism and policies of discrimination along the border. The battle over immigrant rights, land seizures to build the border wall, and the troubled racial history of the state form the backdrop to a film that explores how a place once known for its reactionary politics is becoming more liberal, more diverse—and more at risk for violent conflict.

Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.

A group of disconnected people are brought together by a string of awkward events in post-9/11 Manhattan. A body-snatcher (Mia Tyler) is gathering dead bodies off the streets and no one seems to know why, especially the two detectives (Eddie Steeples, Peter McNolte) who are assigned to find her.

Three Days is a feature film exploring the on-and-off-tour lives of Jane's Addiction. Set predominately on their 1997 'Relapse Tour', this docu-drama weaves audiences throughout the band's legacy in a colorful, fast-paced orgy of gritty backstage drama and rare musical performances

Ron, a successful poet from New York who has not seen his old friend Jake in five years. On the eve of Jake's wedding Ron shows up to be his best man and celebrate but Jake has other things on his mind like settling old scores and getting wasted.

Filmmaker Skip Lotem stalks Carrie (2002) star Angela Bettis on the set of the film.

From Executive Producer Errol Morris, 67 BOMBS TO ENID is an intimate, character-driven documentary about survivors of nuclear weapons testing in the Marshall Islands who relocated to rural America. The film presents intimate access to characters with first-hand accounts of bomb blasts and their descendants who speak to the generational impact these perverse weapons of war have had on humans.