Pacho Lane

It is the dawn of World War III. In mid-western America, a group of teenagers band together to defend their town—and their country—from invading Soviet forces.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Set in Huehuetla, Puebla, a Totonac Indian community in East Central Mexico, this documentary contrasts two systems of education. The public school system uses patriotic symbols to "integrate" Indian pupils into the national culture while teaching them to reject their own identity.

Texas Style centers on three generations of Westmoreland family fiddlers, bringing you to the Homecoming, Rodeo, Reunion and Fiddling Contest in Gustine, Texas, where there are armadillo races, tobacco-spitting and frog hopping contests, cow chip throwing and young and old comparing their hog calling skills. Inside a canvas tent, some of Texas' most remarkable fiddlers compete to the foot-stomping delight of their audience.

This aloha-filled portrait of Auntie Irmgard Farden Aluli, one of Hawaii's best loved composers, gently focuses on Hawai'ian women's contributions to the family structure, art, music and dance. An intimate glimpse into the real culture of the islands.

Deep Ellum is a place -- a part of Dallas, Texas. Deep Ellum, along with its legendary music scene built by the likes of Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely, all but disappeared with the construction of Central Expressway in the 1950s. This film is one of three short films in the Living Texas Blues series which explores the 1920's and 1930's night life in Dallas through the music of Bill Neely.

A visit with a master of the Oldest Art In The World: tattooing. Disabled by arthritis since the age of four, confined to a wheelchair, his growth stunted, Stoney St. Clair joined the circus at 15 as a sword swallower. A year later he took up tattooing, and traveled with circuses and carnivals for fifty years practicing his craft. As we watch him at work, we see the determination which led Stoney to use his crippled hands in an art where mistakes are permanent, and we realize Stoney has overcome his handicap to heal himself and others with the magic of symbols. The film ends with a visit by New Age tattoo master Don Ed Hardy, who receives a permanent souvenir by Old School tattoo master Stoney.

This is one of three short films in the Living Texas Blues series. Battle of the Guitars shows the ranging influence of Aaron "T-Bone" Walker throught the performance of Pete Mayes and Joe Hughes at the Doll House Club in Houston.