Nikos Kanakis

Haris, a salesman, is driving back from a provincial town to Athens. A detour on the highway takes him off course and he gets lost on deserted country roads. From Athens, his wife, daughter, friends, and boss bombard him with phone calls, as they all want something from him. Time passes and Haris cannot find his way back. The situation soon spirals out of control.

A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

An orphaned Kurdish child (Hêjar) and a Turkish pensioner (Rıfat) are thrown together by circumstance. Rıfat, a widowed retired judge, refuses to get involved in politics. He is forced out of his solitude, when Hêjar the only survivor of a police raid on his Kurdish neighbors, takes refuge at his home. Gradually, he warms up to the kid and decides to reunite her with her family.

A new teacher comes by transfer to an elementary school in Athens. He will distinguish a student which can't read, write or do arithmetic, and will help to discover some other talents he has, and will give him an incentive to try to learn.

A writer, locked in his house, writes about a young man who wanders in Athens and tries its fruits.

The story of Ioannis Zachos, a young psychopath who commits a murder in Athens.

Michel Demopoulos directed only one film in his life: a documentary about the shooting of Theo Angelopoulos’ O Thiasos / The Travelling Players (1975).

An allegorical film about the existence or nonexistence of Man. Confronted with the need and will of Man to live, a question is raised: Does the instinct of survival finally lead us to survival or does it inevitably lead us to our complete destruction? Is conflict unavoidable? Is the need for alliance and for a meeting of minds an illusion? And who will prevail in the end? Human nature or Nature?

On the island of Fourni in Ikaria, a researcher observes the lives of the inhabitants. Without a predetermined script, without ready-made questions, as a simple observer. Through this research, the society of Fourni comes to life before our eyes through its people, through memories, through anxieties, through daily toil. On the island, the men are sailors and the women have taken on all the jobs that one would more conventionally expect men to perform, from construction work to farm work. The camera of Alinda Dimitriou and Nikos Kanakis thus vividly records the relations between the two sexes and how the division of labor is a key cog in the functioning of the social machine.

Makis and Litsa, a couple in their forties, pressured by financial difficulties and midlife problems, see the possibility of inheriting from their aunt as a way out of their troubles. But Litsa's sister and her husband, as well as their aunt's lawyer and his friend, an engineer, have their own plans. The bequest of part of the inheritance to charities forces them all to take a trip to their late uncle's birthplace. An unexpected event, however, upsets their plans, giving the whole affair uncontrollable dimensions.