Leila Hatami

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs and old generation. This is a failing battle because the man is not strong enough.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

In an Iran weighed down by a struggling economy, two middle-aged brothers live with their bullying father. A man prone to rages and driven by chauvinism, the father’s abusiveness found his second wife leaving him. Now he picks on his eldest son, while the younger sibling fantasises about ways to kill his father. When the man rents out the flat above to a young woman, with intentions of marrying her, the woman’s attraction to the older son slowly pushes this profoundly damaged family to breaking point.

Ziba is getting ready for her daughter's wedding when she's abducted by a feared gang. She tries to escape but does not have much time, as her daughter is on her way to the location, unaware of what awaits.

The adventure of a plane crash with passengers who have different secrets; the secrets that are not supposed to remain hidden forever...

A young doctor whose name Shayan is got cancer. He decides to commit suicide but in the last moments something is happening that lead him to a remote village.

Sahand, Mohsen and Foroozande are attacking engineer Kazem's house on a rainy night and steal the house and injure him. They decide to flee Forouzande from Iran to another country. They go ...

Bita (Hatami), a successful lawyer specializing in championing the cause of women’s rights in divorce cases, is blind to the trouble brewing in her own marriage. A snatch of gossip and a problem client with an unwanted pregnancy unexpectedly bring Bita’s problems home. (Gene Siskel Film Center)

Kingdom of Jamkard, ancient Persia. After defeating the armies of Ahriman, embodiment of evil, King Jamshid, bearer of the light of Divine Power, abandons his people blinded by pride, determined to conquer new lands. Thus, by chance, Zahhaak becomes regent and undertakes the reconstruction of the devastated capital. But then Ahriman, who dwells in the heart of every human being, begins to poison his tormented soul.

A drama about leila, a beekeeper who participates in an online challenge in order to grow her social media page for her honey selling business. This results in a spiral of events that turns a simple challenge into a complex out of control event.

The only nuptial condition an inveterate chain smoker receives from his perfume-testing fiancee is to quit smoking. This poses a problem for the advertising agency ideas man for whom smoking is all part of the creative process.

A woman comes back from Paris to her country after a long time. She meets a man that she hardly knows, but he knows a lot about her life.

The doors of the jam produced by a company do not open. In order for them to be able to sell their jam, they reward the one who can open the jam. All the people try to open the door of the jam.

The film A Shadowless Man in the Social Genre, produced in 1397 and filmed in Iran and Spain. The director of this work, Alireza Reisian, went on to make a film without shadows after the films "Forty Years" and "The Age of Love". A Shadowless Man was screened at the 37th Fajr Festival. The story of this film deals with the emotional and marital relationship of contemporary man, who has a special look at social problems these days. The film's synopsis states that filmmaker Mahan Koushiar decides to make a documentary about a serial murder, but his life is affected.

Rouzbeh arrives in Prague, far from his troubled family life in Tehran, to research his father’s past. Visiting the flat where his father, a communist expatriate, lived 50 years ago, in the times of Czechoslovakia, he is stopped by a policewoman investigating a recent accident. The current resident of the flat, Vladimir, who turns out to be Rouzbeh’s half-brother, has fallen out the window. Discovering hidden corners of Vladimir’s life and getting closer to his soul, Rouzbeh learns a shocking truth about his father, totally contradicting the image of a hero he had about him. This puts him on the path which led to Vladimir's fall from the window.

After her divorce Mina is in need to financial and emotional supporting. She meets a guy and thinks that this is the man of her dreams. But things are not just as their first seem to be.

Yassi, who has doubts about Mohsen's life in common, decides to remind her of a memorable occasion. He anticipates everything in advance for the best of the party, ignoring the fact that the circumstances do not go away on his own. The film deals with betrayal in marriage.

A group of Iranian classical musicians in the Ghajar era try to release their first record, which takes them on a journey to France.

A person wants to hijack an airplane to go out of Iran and cure his sick son.

Me is written and directed by Soheil Beiraghi and produced by Saeed Sa’adi and Saeed Khani. The film is about Azar (Leila Hatami), a woman who acts as a middle-man for those seeking illicit goods. According to Beiraghi: “I didn’t want to portray an ordinary woman, but the one who is living a double life. She is a rebellious woman who rebels against the law and individuals.” Me was officially selected in the Certain Regard section at the 34th Fajr International Film Festival.

It’s 1988 and, at the height of the Iran-Iraq War, Tehran is bombed relentlessly. The days that pass are full of foreboding, and yet, love, affection, hope and life itself manage to sweep away the fear of death from those surrounded by it. Love may often be difficult to comprehend, but death is a horrible certitude. ‘Bomb, A Love Story’ shows how, even when faced with the darkness of death, love and hope will find a way.

A woman embarks on an unyielding and possibly hopeless search for her missing husband, a journey that strains her already fragile relationship with her daughter. Along the way, she also faces the unwelcome advances of her persistent brother-in-law.

Armin is a gifted and introspective student of network security that spends most of his time on his newly established book publishing site.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.