Leila Hatami

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

The movie chronicles the life of the famous painter Kamololmolk, and his relationship with various kings.

A person wants to hijack an airplane to go out of Iran and cure his sick son.

A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

Yassi, who has doubts about Mohsen's life in common, decides to remind her of a memorable occasion. He anticipates everything in advance for the best of the party, ignoring the fact that the circumstances do not go away on his own. The film deals with betrayal in marriage.

Farhad has lost his eyesight due to an injury sustained in battle. As part of his recovery, he is transferred to a temporary hospital, where he encounters young nurse Sheida. Sheida is surprised by his tolerance to the pain of his injury, but soon realises that her recitation of Quran verses has a miraculous calming effect on him. And as the two start to grow closer and Farhad begins to heal, they find themselves on the path between faith and hope, and the true nature of both is revealed to them.

The film A Shadowless Man in the Social Genre, produced in 1397 and filmed in Iran and Spain. The director of this work, Alireza Reisian, went on to make a film without shadows after the films "Forty Years" and "The Age of Love". A Shadowless Man was screened at the 37th Fajr Festival. The story of this film deals with the emotional and marital relationship of contemporary man, who has a special look at social problems these days. The film's synopsis states that filmmaker Mahan Koushiar decides to make a documentary about a serial murder, but his life is affected.

Taher Mohebi is a well-known writer who, after witnessing a violent murder, breaks down and spends three years in a mental institution. After release he is told that things are just as they were before, but his relentless hallucinations make him want to return to the institution.

A woman embarks on an unyielding and possibly hopeless search for her missing husband, a journey that strains her already fragile relationship with her daughter. Along the way, she also faces the unwelcome advances of her persistent brother-in-law.

The short story of my boats, Leila Hatami and Ali Mosafa, are its main characters, regarding the fact that Aunt Jan Puri died and Farhad, who had been away from Iran for many years, returned to Iran and Remembers his memories with Mary and ...

An Iranian director and his technical crew scramble to complete post-production on their latest film in time for the Fajr Film Festival.

Bita (Hatami), a successful lawyer specializing in championing the cause of women’s rights in divorce cases, is blind to the trouble brewing in her own marriage. A snatch of gossip and a problem client with an unwanted pregnancy unexpectedly bring Bita’s problems home. (Gene Siskel Film Center)

Attiyeh has made a career out of giving relationship advice to couples over her radio show. Every day she answers questions about family dynamics and safeguarding marriages, while behind the scenes she and her husband struggle with a problem of their very own, one that seems practically unsolvable. All her life she has been the one to give advice, and as she tries to come to terms with a costly and dangerous medical procedure, she finds she is now the one who desperately needs it.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

After her divorce Mina is in need to financial and emotional supporting. She meets a guy and thinks that this is the man of her dreams. But things are not just as their first seem to be.

This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs and old generation. This is a failing battle because the man is not strong enough.

Kingdom of Jamkard, ancient Persia. After defeating the armies of Ahriman, embodiment of evil, King Jamshid, bearer of the light of Divine Power, abandons his people blinded by pride, determined to conquer new lands. Thus, by chance, Zahhaak becomes regent and undertakes the reconstruction of the devastated capital. But then Ahriman, who dwells in the heart of every human being, begins to poison his tormented soul.

The story is about a lonely and weary girl whose mood is lifted by the help of her friend but the girl is not courageous enough to introduce her friend to others

In an Iran weighed down by a struggling economy, two middle-aged brothers live with their bullying father. A man prone to rages and driven by chauvinism, the father’s abusiveness found his second wife leaving him. Now he picks on his eldest son, while the younger sibling fantasises about ways to kill his father. When the man rents out the flat above to a young woman, with intentions of marrying her, the woman’s attraction to the older son slowly pushes this profoundly damaged family to breaking point.

Me is written and directed by Soheil Beiraghi and produced by Saeed Sa’adi and Saeed Khani. The film is about Azar (Leila Hatami), a woman who acts as a middle-man for those seeking illicit goods. According to Beiraghi: “I didn’t want to portray an ordinary woman, but the one who is living a double life. She is a rebellious woman who rebels against the law and individuals.” Me was officially selected in the Certain Regard section at the 34th Fajr International Film Festival.

The film tells the story of a reclusive taxi driver in Tehran in the days leading up to an earthquake. He has chosen to distance himself from society and to be passive so as not to be hurt. Finally one of his passengers gives him enough motivation to act and bring about a change in his life.

It’s 1988 and, at the height of the Iran-Iraq War, Tehran is bombed relentlessly. The days that pass are full of foreboding, and yet, love, affection, hope and life itself manage to sweep away the fear of death from those surrounded by it. Love may often be difficult to comprehend, but death is a horrible certitude. ‘Bomb, A Love Story’ shows how, even when faced with the darkness of death, love and hope will find a way.

Actress Leila bursts into laughter on camera during the filming of a dramatic scene. Her improper behavior is a reaction to the recent death of her husband Koshrow, who accidentally fell down a flight of stairs. And it is Koshrow who serves as the film’s somewhat unreliable narrator, appearing in the movie even after his death. The couple’s complicated yet loving relationship unfolds as a delicately ironic detective story inside the elusive and, at the same time, obsessively arranged space- time of memory. Nevertheless, it reveals Koshrow’s secret life crisis and delves deep into the past, to an ancient house in the mountains.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

Armin is a gifted and introspective student of network security that spends most of his time on his newly established book publishing site.