Fernando Palacios

Directing

Fernando Palacios

Born September 4, 1916

Died September 17, 1965 · aged 49

Fernando Palacios was born on 4 September 1916 in Zaragoza, Spain. He was an assistant director and director, known for El día de los enamorados, Búsqueme a esa chica and The Lovers of Toledo. He died on 17 September 1965 in Madrid, Spain.

Known For

Red Cross GirlsRed Cross Girls · 1958
Red Cross Girls
★ 5.71958
MovieComedy
Paloma, Isabel, Marion and Julia Madrid are four girls belonging to different social strata, who are preparing to apply for the Red Cross on the flag. The four girls will be sought by many young ...
Find Me That GirlFind Me That Girl · 1964
Find Me That Girl
★ 5.21964
MovieMusic
Sixteen-year-old Marisol sings her way across Spain with her father, chasing dreams and survival. On a sunlit campsite in Mallorca, she meets two students and dares to perform at a bullfighting event—hoping to be discovered. When talent scout Mr. Morrison sees her spark, he whisks her into a new world of ambition and refinement, determined to transform her into “a lady with great talent.” But as Marisol rises, she must decide what she's willing to leave behind to become the star she’s always dreamed of being.
The Lovers of ToledoThe Lovers of Toledo · 1953
The Lovers of Toledo
★ 4.01953
MovieDramaRomance
Toledo, 1825. To save her fiancé, an opponent of the regime, the beautiful Inès agrees to marry the chief of police.
The Family and One MoreThe Family and One More · 1965
The Family and One More
★ 6.51965
MovieFamilyDrama
The life of the family inordinate surveyor Carlos Alonso has undergone several changes over the course of the years: the birth of child number 16, little Maria, coincided with the death of the mother, who left behind a hollow refillable. The grandfather also died. The Godfather pastry married, and the boys have been growing rapidly ...
The Man Who Wagged His TailThe Man Who Wagged His Tail · 1957
The Man Who Wagged His Tail
★ 6.81957
MovieComedyFantasy
The owner of a building tyrannizes his immigrant tenants. Transformed into a dog by an old woman's curse, he experiences all the hardships of his situation; when a child's affection turns him back into a man, his soul is radically changed.
Tres de la Cruz RojaTres de la Cruz Roja · 1961
Tres de la Cruz Roja
★ 6.21961
MovieComedy
Three friends who are football fans discover one day that using the uniform of the Red Cross they can have access to football fields. The next day, they are volunteering at the headquarters of the institution.
Marisol rumbo a RíoMarisol rumbo a Río · 1963
Marisol rumbo a Río
★ 5.41963
MovieAdventureComedy
Separated by continents, twin sisters Marisol and Mariluz live worlds apart—one in Madrid with her struggling mother, the other in Rio under the care of a wealthy uncle. When Marisol’s mother sacrifices everything to reunite the family in Brazil, their arrival threatens a sinister scheme: Mariluz’s governess and her lover are plotting to steal the uncle’s fortune. With the truth unraveling and danger closing in, the twins must fight not just for reunion—but for survival.
Uncle HyacynthUncle Hyacynth · 1956
Uncle Hyacynth
★ 6.71956
MovieDrama
Hyacinth, a former matador who lives miserably with his nephew Pepote, receives a letter reminding him that, as agreed a few days before, he must participate in a bullfight to be held that same afternoon.

Filmography

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Siempre es domingoSiempre es domingo · 1961
Siempre es domingo
★ 7.01961
MovieDrama
In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.

Director