Griffin Yueh Feng

About a woman who disguises herself as a man to take her father's place in the army.

Three martial arts directors united for this unique anthology film. Yueh Feng writes and directs a clever love-and-kung-fu triangle, Cheng Kang both writes and directs kung-fu courtesans battling brigands, and the "godfather of the kung-fu film," Chang Cheh, creates a cliff-hanging, swashbuckling mini-movie with maxi-action.

A simple woodcutter named Wei Fu finds his world shattered when three murderous horsemen arrive to kill his family and kidnap his sister. Left with nothing but his mother’s bell-laden bracelet, he sets out to seek his revenge. Lucky for him, Wei Fu encounters a master swordsman, who takes him under his wing.

Nurse Leng Shuxian is forced by family circumstances to marry Long Yusheng (King Hu), a grossly disfigured Quasimodo with a heart of gold. Shuxian tries but is unable to accept his deformity and they remain a couple in name only. With the appearance of Yusheng's cousin, she has to make a choice between personal happiness and family duty. From the start, Loh's character and drove the action, evoking a great intensity of emotions along the way: suffering, resignation and loneliness. Loh was lauded as the "Queen of Tragedy" after her heart-wrenching portrayal in this film. Winner of two Golden Harvest Awards – for best screenplay and best black-and-white cinematography – at the 8th Asian Film Festival in 1961.

The Goddess of Hua Mountain is imprisoned for falling in love with a mortal, meanwhile her son is raised in secret until he can attempt to free her.

This Classic Seductive tale of two snakes who assume human forms will send chills of pleasure down viewers' backs. The Lovely Linda Lin Dai (Les Belles, The Kingdom And The Beauty) and margaret Tu Chuan (The Dream of The Red Chamber) play the two sister serpents, Pak Su-cheng and Ching Ching. Su-cheng meets Hsu Hsien (Chao Lei) one day and recognizes him as her savior in another life 1,000 years ago. She marries him to reward him but the snake-human union brings about problems beyond imagination.

In order to exact revenge upon him, a young woman (Lin Dai) marries the Emperor Chou (Shin Young-kyun), who killed her father.

Lone swordsman Jiang Dan-Feng (Wong Chung-Shun) is ambushed by a pair of bandits and quickly despatches them. One of them, as he is dying, asks Jiang to take his personal effects to his sister. This being a Wuxia film, our hero is bound by a strict code of honour, and he agrees. The bandit’s sister, Xiu Xiu (Shu Pei-Pei), is surprisingly forgiving and tells him that he got mixed up in a bad crowd of robbers before he died. As it happens, these self-same bandits are threatening to tear up the village at any moment, and Jiang prepares to defend it despite being despised by the town folk for killing Xiu Xiu’s brother.

Spring Blossoms is a parable about the Chinese youth culture and what's important to the younger generation when it comes to romance. It starred a new wave of seventies, Shaw's beauties, Lily Li, Shu Pei-pei and Essie Lin-chia as single women looking for love. It's a triple-decker romantic bus ride on a road to nowhere speeding toward a low bridge.

Experienced heroine Li Li-Hua plays a swordswoman out to reclaim her murdered husband's "Green Sword," the sharpest blade in the world. The lovely Li Ching plays the role of Li Li-hua's student, who must take up the fight when her teacher falters.

The Village of Tigers is known as the home of all evil doers throughout the land, ruled by their leader, Lord Hu Jiao. When the famed swordsman known as the Sword of the Southern Sky, Luo Hong-Xun ends up in said village, he will teach the bandits a lesson.

After a career spanning more than forty years and dozens of films as director or writer, Yueh Feng used everything he learned on a final few martial arts epics, of which this is one of the most memorable. It's not easy to forget a hunchbacked, one-armed protagonist, nor the "Poisonous Dragon Sword" style, nor the luminous and lethal Shih Szu as the title swordswoman, who is out to avenge her father's death at the mid-autumn festival.

Er Niu receives a note which was written by her father just before he was murdered. The note includes a list of enemy names. So she works with her brother to start a journey of chase and revenge.

The hunt for The Swallow Thief.

During the Taiping Rebellion of the mid-19th century, anti-Qing (Manchu) Chinese forces led by Taiping commander Li Xiucheng march on Shanghai. Although the Western powers are officially neutral, the British consul in Shanghai sides with the Qing imperial government, and counter to his own government's policy he retains American adventurer Frederick Townsend Ward to raise a mercenary force of foreigners in Shanghai and oppose the Taipings. Ward's force is routed, with heavy casualties, but since many of the casualties are British, the British army soon is drawn in on the side of the Qings. The only support for the Chinese comes from Japanese in Shanghai and anti-imperialist demonstrations in Japan. A family drama plays out against this historical background. After a Chinese home is destroyed by careless British shelling, killing the father and crippling a daughter, the surviving son vows revenge but begins to see that his true friends may be the Japanese.

A scholar woos the daughter of an important family, while outwitting rebels who try to capture her.

It's a no-holds-barred battle to the death for possession of the invaluable Purple Sword. Assistant director Wang Po-yi also wrote this entertaining and exciting adventure which could have also been called "The Five Tigers" since there's no doubt that this quintet is the highlight of the action. Huang Tsung-shun is "Fierce Tiger," Hung Liu is "Drunk Tiger," Hsu Erh-niu is "Lame Tiger," award-winning actor Ku Feng is "One-eyed Tiger" and respected director/actor Wu Ma is "Sick Tiger" in a tangle of tussles and thrills

The Younger Generation is an ultra-tragic tale about a young girl, played by Ivy Ling Po who gets married, has five kids, then she and her husband die forcing one child sold to prostitution to feed the other four. Chinese culture dictates that great respect is given to the elders and in The Younger Generation, it is an elder that is the hero, telling audiences that although sadness abounds, they can return home happy with their Confucius mindset.

Fan Chia-soo is a kind-hearted student whose heart is captured by the sweet song of Shen Feng-hsien. However, he is not the only one who has eyes for Shen. The General's henchmen are also determined to present the songstress to their superior as a gift. Fan received help from an unexpected quarter to save the woman he loves.

Peng Zigang and Zhao Xiaoping live together in the same room, and they get along well. When they learned that a tenant had moved out, they both begged the landlord to rent the room to their girlfriends, and they did not give in to each other. Fortunately, the landlord intervened and their girlfriends lived with them in the neighboring room. Kong is simple, but his girlfriend Dufen is fashionable; Ping is active, but his girlfriend Tang Ying is quiet. The two lovers eventually broke up due to personality disagreement, but instead, they were married to their best friend's partner.

The contemporary issue of single mothers is sensitively handled in this melodrama as a young woman must decide whether she will tell the new man in her life the real truth or forever remain the child's auntie Lan? (Celestial Pictures sypnosis)

A man is wrongfully accused of a cop's murder.

A widow of four gave up two of her children to be raised by an uncle in Singapore. Many years later, just when the widow, now a house maid, is feeling contented by good news of her long gone son and daughter, she accidentally runs into his own son, now a lawyer, and ends up being looked down upon by him. It was a story about how traditional Chinese family and its value was impacted by the change of time. The movie depicted Macau in 1945 to Hong Kong in the mid-60s, moving from poverty after WWII to opulence. The human relationships became complicated and fragile. Many elements uniquely "Hong Kong", such as upper class Chinese, western religions, English speaking and a mixed-culture society are used to contrast the traditional, kind, enduring and forgiving love of a mother.