Jean-Louis Milesi

A union pensioner and his wife are robbed, but find that merely getting the assailants brought to justice is not enough for their consciences.

1889. Having come to France as part of Buffalo Bill's Wild West Show Tour for the Paris World Fair, Rahimé Valladier, known as the Mexican, sets off in search of the Holy Spirit, a treasure supposedly left behind by his ancestors, Protestants from the Cévennes who had fled Catholic repression following the revocation of the Edict of Nantes (1685). Back on his ancestral land, and despite the new-found freedom of religion, he discovered the Cévennes people's struggle to survive: after the boom in silkworms and mining, the Cévennes became impoverished from the mid-19th century onwards. At the same time, a law imposed the French language on schools, to the detriment of Occitan. A culture was dying.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

February 1939. Overwhelmed by the flood of Republicans fleeing Franco's dictatorship, the French government's solution consists in confining the Spanish refugees in concentration camps where they have no other choice than to build their own shelters, feed off the horses which have carried them out of their country, and die by the hundred for lack of hygiene and water... In one of these camps, two men, separated by barbwire, will become friends. One is a guard the other is Josep Bartoli (Barcelona 1910 - New York 1995), a cartoonist who fights against the Franco regime.

Ange, the mayor of a distant mountain village in Corsica becoming depopulated has launched a drama workshop supposed to give new life to the region. To this end he is to sign a contract with a cabinet minister for whom the villagers are rehearsing a play. It is the very day of the coming of the minister that Ange chooses to pass away, which infuriates his cantankerous wife Lellè. The contract must be signed anyway but how to go about it, mainly with such a family as Ange's: Rinatu, the nationalist, traditionalist son; Sauveur, the former local policeman turned politician; Marcia, Rinatu's daughter, determined to perform the play at any cost; Ange's two wives, the official one: the bad-tempered Lellè, and the unofficial one, the Indian domestic worker of Indian origin? To say nothing of Pantaleone, the deputy mayor, whose wife has been one of Ange's (numerous) mistresses.

She lives her own little world. Will it explode and disappear forever?

Two scriptwriter friends with opposing personalities fuss and fight as they cobble together a script for a modern political film. Their arguments seem endless, they constantly stray from the plot, but the story slowly takes shape around garage mechanics at Moliterno & co. who fight a multinational in order to save their business.

A dark tale of working-class life in Marseilles, a city in crisis. Interesting characters include a hard-bitten but compassionate fish market worker with a drug addicted daughter and a moody bartender with a shocking secret life.