Andreas Ortner

A near-fatal accident involving their teen daughters upends the lives of two families as they consider how far they're willing to go to save their child.

Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after years of captivity. But the Vienna he comes home to is nothing like the place he once knew. The new Austrian Republic thrives on social and artistic freedom, but anti-democratic movements and unemployment loom overhead. A stranger in his hometown, his life takes a turn for the worse when one of his former comrades is murdered. Suddenly the mysterious killings of veterans are mounting. Personally connected to the victims, Perg decides to bring the killer to justice. He finds an ally in the cool-headed forensic doctor Theresa Körner, with whom he has a deeper, shared history. Their investigation leads them into the darkest corners of the city, as they confront a brutal and systematic killer and intrigues from within the police force. But when the killer’s net closes around Perg himself, he faces the moral dilemma of his life.

A woman navigates the complex journey of motherhood while confronting her deepest fears and anxieties.

The film shows how strong women took up the fight against social injustice and for their own rights and how the uprising of 1525 changed people's lives.

This time, the Graz detective Sandra Mohr and her supervisor Sascha Bergmann have to go to the remote Mürztal to solve a bizarre death with the jovial local police officer Ferdinand Franz: The entrepreneur Walter Fürst is dead in his own bed – with strangulation marks on his neck.

Three friends from Floridsdorf – separated by 40 years and with lives that couldn't be more different – ​​meet on an evening that will change their future destinies forever.

The Graz chief investigator Sascha Bergmann and his colleague Eva Merz from the Spusi try to combine the official with the romantic, but unfortunately a routine case in the tranquil East Styrian hill country unexpectedly degenerates into work: What initially looks like the suicide of a drunk turns out to be poorly disguised murder! This in turn calls Bergmann's partner Sandra Mohr onto the scene, who puts herself in danger in her investigative zeal.

Two murders of prostitutes in a similar way - no wonder that Commissioner Sandra Mohr suspects a connection. The obvious suspicion that a serial killer could be up to mischief in Styria is initially dismissed by her supervisor Sascha Bergmann.