Stanislav Moša

When the Tugendhat family had their villa built in the late 1920s, they had no idea how many stories it would inspire. A few years ago, British writer Simon Mawer wrote a novel called "The Glass Room." The novel tells the story of Liesel and Viktor Landauer, set in Brno between the two world wars. He was a promising industrialist, she was a rich beauty from a good family. As a wedding gift, they received a plot of land and had an Austrian architect build them a monumental house made of glass and concrete. Inside the house, their family life unfolds, but so do passionate stories of infidelity and even lesbian love. Through the glass of their villa, however, they can also observe the brown threat approaching from Hitler's Germany and the transformations of the young Czechoslovak Republic. When the threat becomes real, the Landauers understand that their time in the fictional City and in the house with the glass room has come to an end.

Accumulating money through usury and self-denial is Harpagon's passion and ostentatiously displayed purpose in life. He loves money more than his good name, honor, and dignity. His wealth is more important to him than his own children. He plans to marry his daughter Eliza off without a dowry to an aging rich man, his son Cleante to a wealthy widow – and he himself has chosen the beautiful young Mariana as his bride, regardless of the fact that his son is in love with her. And this is only the beginning of the hypocrisy, deceit, and manipulation that develops in his family and among his servants under the influence of Harpagon's miserliness...

Story of a high-schooler who fails to gain a place at university and necessarily finds herself having to take a job behind the counter at a buffet.