Yile Yara Vianello

Everyone has their own Chimera, something they try to achieve but never manage to find. For Arthur, the Chimera looks like the woman he lost, Beniamina. In an adventurous journey between the living and the dead, between forests and cities, between celebrations and solitudes, the intertwined destinies of these characters unfold, all in search of the Chimera.

Seventeen-year-old Ginia leaves the countryside in search of a new life in Turin. Restless and seeking adventure, Ginia soon finds it in the beautiful, enigmatic Amelia, whose sensuality and confidence embolden her to begin modeling for the bohemian artists in their circle. A whirlwind affair ensues, and the young seamstress finds herself swept up in an unfamiliar and exciting world of discovery.

Three elite athletes train for the Summer Games, Ludoj, 2024. Facing press attention, injury, and exhaustion, they practice their respective disciplines of rifle shooting, fencing, and judo. The women work with coaches to optimize their performance before competing under acute pressure at the Games.

After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.

On her last day at the diner, Sara prepares to leave the city. Denis watches her, trying to hold on to what they both fear losing. In a crystallised, suspended landscape, their goodbye reveals the depth of their bond and the poignant intensity of severance.

Born at the turn of the century in a village's butcher shop, Jeanne Lavaur dreams of becoming a countess. Inspired by the fearless Céleste and guided by her love for Guillaume de Barante, Jeanne’s journey carries her from the vibrant Paris of the Golden Twenties through the turmoil of two world wars. As her life intertwines with the great upheavals of the 20th century, she rises as a fiercely free woman, determined to never let anyone else define who she is meant to be.

On a winter’s day, Nena gathers her family to celebrate her birthday. Il paradiso del pavone is a small journey into the intimacy and authenticity of human beings: a film about an extended family in which everyone talks but no one really listens. Until an unexpected event forces the family members to look into each other’s eyes and reveal themselves for what they really are.

Expecting their first child, a couple flees a materialistic world to join the Egg spiritual community. Disruption brings sorrow, but a gift redefines their bond as partners and parents.

After years of absence, Nica returns to her native village. Her grandmother’s olive trees are threatened by a bug infestation. Against her father’s will, she fights to preserve the trees and maintain family traditions.

Piero and Elisabetta loved each other very much, despite the opposition of her parents, and had three children with whom they formed a seemingly indissoluble unit. But when the eldest, Flavio, loses his life in an accident, the family falls apart: Elisabetta and Piero glare at each other and exchange ferocious jokes, unable to overcome that tragic event and not blame each other. It is the two remaining children, Dennis and Sara, who convince them to celebrate Christmas together in Cortina d'Ampezzo, the town where their maternal grandparents own a luxurious chalet. The two children have a plan, which will however be abruptly interrupted by an unexpected event. All the family dynamics will be called into question, and will keep everyone in suspense for a long night of waiting and reflections on the past.

In a small village somewhere in the Apennines, taciturn Antimo divides his time between the local church, his tedious work on the farm and his chaste meetings with his girlfriend. His pivotal encounter with the wild loner Lazzaro awakens in the devout young man the desire to reach the very core of a faith far removed from the regular Sunday sermons delivered by a representative of the Church – a powerful institution for which freethinking and devotion to God represent incompatible ideas.

As if in a dream, a young girl recounts the story of Orpheus and Eurydice and the questions raised by the myth. Heartsick from suffering, Orpheus descends into the Underworld to bring his beloved Eurydice who has just died from a snake bite back. The magnificent music played by Orpheus convinces Hades, the god of the Underworld, to free Eurydice, but on one condition : on his way back to Earth, Orpheus must not look back at Eurydice. On finally arriving at the gates of the Underworld, already catching glimpses of trees and bushes, Orpheus looks back. Eurydice disappears forever into darkness.