Tadeusz Makarczyński

A collective, moving self-portrait of Polish painters of the turn of the century, composed of paintings presented at the exhibition "Symbolism in Polish art" at the National Museum in Warsaw in 1985.

The ‘Żywe kamienie’ (meaning living stones) from the title are architectural monuments that convey the history of past generations. In this respect, Kraków is a special city - it was not only the royal capital of Poland, but also a city of Jews.

The protagonist of this documentary is Gdańsk and its history. The story begins on the shore of the Baltic Sea, in a Pomeranian town on the European Amber Road. It ends in the contemporary Gdańsk Shipyard.

A film suite divided into three parts showing successively the defeat of Warsaw, the gradual awakening of the capital and the first post-war Warsaw spring. The film has no commentary, only music, whose mood and rhythm are closely related to the character of the presented images.

A propaganda piece of reportage from the first Polish Nationwide Art Exhibition that was held in the National Museum in Warsaw in 1950. Makarczynski’s film is a typical example of a socialist realism documentary, realized in accordance with the instructions that had been presented to the filmmakers during the Wisla 1949 summit.

Lionel Rogosin's plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party's mundane chatter. Good Times, Wonderful Times was released in 1964 at the height of the Vietnam War, and became one of the great anti-war films of the era.

The documentary shows the work of journalists and the importance of the press in building socialism. It is an exemplary implementation of the socialist-realist convention imposed on Polish cinema in 1949, in which all elements of the film structure were subordinated to the persuasive function.

A treasure of Polish culture. A concert film that presents the performance of Mazowsze Song and Dance Ensemble recorded at its headquarters – the palace in Karolina (a part of the village of Otrębusy near Warsaw). The repertoire includes: Bandoska, Kukułeczka, Pod borem and dances such as: oberek, olender.