Letícia Kamiguchi

In the campaign that could change her career as fashion influencer, Paula Pratta only needs one essential item: her son. But he trades his business school in California for a permaculture institute in Amazon. With assistant Taylor, she sets off in search of the boy and finds a world without filters and much more than she expected, including the chance to reconsider what really matters in her life.

When the father sacrifices the sick dog of the family, the relationship with the eldest daughter becomes unsustainable. Fearing that he may do the same with the youngest daughter, who is also sick, the sisters come together to try to escape the threat of their father.

Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.

A short documentary about the tradition of making lacquer baskets in Longshui Village. Longshui's lacquer basket making technique was included in the third group of intangible cultural heritage protection lists in Fujian province in 2009. In contrast, the problem of the aging of the painting craftsman is serious, and in the age of mass consumption and mechanical reproduction, perhaps we need to find the lost craftsman spirit.