Louis Monfils

Acting

Louis Monfils

No biography available.

Known For

MandrinMandrin · 1924
Mandrin
10.01924
MovieAdventureDrama
Directed by Henri Fescourt.
The Manor House of FearThe Manor House of Fear · 1927
The Manor House of Fear
7.01927
MovieMysteryHorror
Since a mysterious stranger and his servant settled in a manor near a Provençal village, a wave of crimes has beenfall the country and spread terror among the inhabitants. Young Jean Lormeau, refusing to give in to fear, leaves to meet the disturbing owner to discover his secret.
The Beautiful Woman Without MercyThe Beautiful Woman Without Mercy · 1921
The Beautiful Woman Without Mercy
7.01921
MovieDramaRomance
"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center
The Empire of DiamondsThe Empire of Diamonds · 1920
The Empire of Diamonds
9.01920
MovieDramaCrime
Shot on location in Paris, Monte Carlo and the Riviera with both American and French actors. When Matthew Versigny discovers that the jewels his diamond company has been buying are fake, he travels to Europe to track down the counterfeiter. With him are his sister, Marguerite and her sweetheart, Paul Bernac, who is an agent in the French Secret Service.
Sans familleSans famille · 1925
Sans famille
7.01925
MovieDrama
Le Prince charmantLe Prince charmant · 1925
Le Prince charmant
7.01925
Movie
Unkwown to the vast majority, Count Patrice is the crown prince of Simenia. One day he sails for the East on his yacht "Bengal" in the company of Christiane, a beautiful princess, in love with him. Chance has it that Patrice sets Anar, an Oriental beauty, free from the harem where she is held captive. Love is born between the two young people, which infuriates Christiane. Mad with jealousy, the vexed woman sets about preventing Patrice and Anar from marrying... by all means fair or foul!
Mister Mustard's MillionsMister Mustard's Millions · 1926
Mister Mustard's Millions
9.01926
MovieComedy
When bored American billionaire Charles Vanel is amused by the happiness of poor railroad man Nicolas Koline, he offers him a wager: if Koline and his family can spend 20,000 francs a day (about $11,000 in current American money) for a year, then he'll give him a nice pension. The rest of the movie is about the poor man and his family's efforts to win the bet.
The Heirs of Uncle JamesThe Heirs of Uncle James · 1924
The Heirs of Uncle James
7.01924
MovieComedy
The relatives of wealthy, unmarried and slightly eccentric uncle James are all after his money -except his nice Ginette. She brings him to adopt two war orpahns and shows him, how his other relatives raely "love" him. But suddenly the orphans' father, a Lieutenat stands at the door of the house.

Filmography

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The Beautiful Woman Without MercyThe Beautiful Woman Without Mercy · 1921
The Beautiful Woman Without Mercy
7.01921
MovieDramaRomance
"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center