Dagna Litzenberger-Vinet

A workaholic advertising executive in her mid-30s begins to hear a voice in her head the day before a presentation, which attempts to shake up the banality of her everyday life. She views the outside world through sober eyes, while the protagonist's introspection and her romantic, nature-loving escapism describe a situation that initially seems hopeless.

People go through life with forgotten dreams. They bravely contend another day when something goes off the rails. A man disappears into the woods. A season is lost. Lovers overcome time. Hardly noticeably, the rules of the world shift. And suddenly new paths open up in people's minds.

A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.

Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event, a family next door returns from vacation, and a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up.

Yuna and her best friend are inseparable. But when she suddenly moves away, Yuna is left behind alone. To escape the loneliness, she imagines a mysterious boy named Emil. Can Yuna overcome her grief with his help?

Dale Schröder (1951- 2029) was a Swiss artist known for creating AI human hybrids using social media platforms. At the insistence of an ambitious art curator, Dale agrees to introduce his work to the general public. Captured by a documentary ‘filmmaker’, the show’s opening night is a disastrous blend of confusion, fear, and revulsion.

A young woman wants to pee on her lover for his birthday, but he wants more than that.

Thanksgiving post mortem: a cynical take on the future of relationships in the virtual age.