Souad Nasr

The film is an adaptation of a novel by Ismåeel Walieddin. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.

Corruption is rampant in the company, which Mehran chairs, which uses his position to embezzle and loot with Zaki, the company's director. Mehran and Zaki bribe the factory officials to declare that the dairy is corrupt.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

Three friends from Alexandria singing in the popular Wedding accuse someone of murder and trying to prove his innocence in order to be able to marry his fiancee.

Fattouh works in change currency and heroin . He is surprised that his girlfriend Susu has become addicted. A Zionist drug smuggling organization recruits him to steal the serum of scientist Dr. Nomani, that purifies the blood of addiction. Fattouh decides to take down the members of the organization and help the police catches them.

Ever wonder what it was like to be in the middle east during the Gulf War of the early 90s? Sure, many films and TV shows have portrayed what it was like for the UN forces. This film takes you into the melee from the perspective of Egyptians -- who were sharply divided about the war -- and their daily lives, which, as one sees, form the basis of their foundation for understanding/approaching the war. And it really is these "every day" realities that make up the bulk of the film.

An enthralling look at the relationship between America and the Arab World from an Arab perspective. It tells the story of Yehia, a renowned Egyptian filmmaker whose life has been shaped by a pair of disrupted love affairs, one with an American woman named Ginger, the other with America itself.