Nadège Clair

Two American executives for a cosmetics company travel to the Greek islands in search for a model for their new line of suntan lotion, "Venus". They run into more than they bargained for

Ruiz on the film: "I began La présence réelle (The Real Presence) first. I. N. A. had commissioned me to produce a personal vision of the Festival d'Avignon. This became a fiction about the theater because if I had filmed the actual performances at Avignon I would have had to respect their staging, I would not be able to change anything. As such, I wouldn't be doing anything more than a retransmission of Antenne 2 or FR3. And since a lot would have to be paid for rights to each play, it would end up costing as much as a fiction feature. So it is a story about the theater, a bit Rivette-ish. I shot all the exteriors in Avignon, the interiors in Paris a few days later and I finish the film next Tuesday."

Shortly after murdering his professor, a young man encounters a sailor who offers him a position on his ship in exchange for 3 Danish crowns and his attention as he recounts his life story.

A 40-year-old mechanic whistles at a passing teenager; she stops and upbraids him. In embarrassment, he claims he was whistling at her companion, her 14-year-old cousin, Isabelle. This changes Isabelle's outlook on life: her favorite story is Anderson's "Little Mermaid," and she thinks that in Georges she's found her prince. She follows him, engages him in conversation, and turns up at his flat. At first, he pushes her away and tells her she's nuts, but slowly he finds that she brings out of him a playful self, and he likes her devotion. The attraction builds, threatening Georges' adult relationships, including that with Nelly, his sweetheart. Where on earth can this affair lead?