G. Anthony Svatek

Countless places across the United States still bear the name of Alexander von Humboldt — queer traveler, visionary naturalist, now largely forgotten. The longing filmmaker uses three of them as unlikely common ground, weaving Humboldt's own words through present-day lives: urban activists greening neglected neighborhoods, scientists scanning redwood forests, hunters returning bighorn sheep to protected land. Across generations and landscapes, HUMBOLDT USA asks what remains of a vision of "interconnectedness."

Reflections from a New England hike during a very hot October afternoon.

Testudo Hermanni is a portrait of my mother, my tortoise, and mild winters - an intimately amusing story of familial relationships rising to the occasion of unpredictable climate change, in which providing mindful care, above all, plays a crucial role.

Karl, a 70-year-old Austrian astronomer, is at a crossroads in life and work. After a conference in Greece, he decides not to return home and heads for a small island in hopes of finding a sky dark enough to reconnect with the stars.

Tropical fruits and vegetables radiate on a blizzard-struck street corner in Brooklyn, NY. A visual oxymoron, tugging at the edge of an interconnected and collapsing global order.

Exploring the lack of faces, voices, and rodents that are at the center of the quest to understand the importance of self-pleasure in our brains, bodies, and beliefs.

Consumed by the distant violence he witnesses daily, a military drone pilot drifts toward self-destruction, leaving his sister to face the intimate cost of war fought far away.

Intimate confessions, paired with experimental choreography outside a woman’s clinic in Memphis, offer a glimpse into post Roe v. Wade America.

Technology sees our corporeal existence as burdensome, resulting in the body's dissolution and disconnect from the very ground beneath our feet. Orange Trill is a cinedance in which the performance challenges the film to match its moves.

.TV is a found footage essay film: Voicemails left by an anonymous caller from the future guide us to the remote islands of Tuvalu, a place the global media has described as “the first country to disappear due to rising sea levels”. Surrounded by thousands of miles of open water, much of Tuvalu’s revenue comes from its country-code web extension .TV, a popular domain choice among global video-streaming and television industries. The caller describes how heat, digital screens, and distance gave him no choice but to leave his sinking home and escape into cyberspace where rising waters will never reach him.

A cine-collage manifesto in defense of beauty amidst political cynicism and environmental alienation. Based on the essay by George Orwell and narrated by Tilda Swinton.

The Fish Is Not Okay

Since 1990, filmmaker Lynne Sachs has collected 600 business cards—from a hairdresser, a therapist, a textile artist. Together they form an archive of encounters.

Objects and sounds collected on an early morning walk through Brooklyn, New York billow against a sun-struck floor.

A dual portrait of a florist named John and the highway that surrounds his small shop in Queens. We turn to John and learn about a history that takes seconds to speed by and is easily overlooked.