Lorin Terezi

In the 1990s, Albania's totalitarian regime is coming to an end. Agia, a young woman in a remote village still ruled by rigid codes of honour and silence, is barred from learning her family's craft. In her first act of defiance, she secretly begins mastering the tradition reserved for men. When this plunges her into a wider world, Agia dares to assert not only work and visibility, but also her own desires. Her belated coming of age becomes a quiet rebellion, mirroring that of a nation struggling to redefine itself.

A young bride tasked with the trivial errands for her in-laws whilst her husband is in Greece, stumbles across a dead woman’s body whilst fetching the water from the fountain. Pushed to the side both the in-laws proceed to talk to the local news lying about finding the body and revelling in the attention they’re getting. A battle amongst the villagers to get coverage in the news ensues, and the actual crime itself becomes overshadowed. We see the young bride coveting the hair slide from the victim.

Somewhere in Albania, 2018. A couple decides to get married but clashes with tradition hard to die.