Martin Hollý

In a small town in Nazi-occupied Slovakia during World War II, decent but timid carpenter Tono is named "Aryan comptroller" of a button store owned by an old Jewish widow, Rozalie. Since the post comes with a salary and standing in the town's corrupt hierarchy, Tono wrestles with greed and guilt as he and Rozalie gradually befriend each other. When the authorities order all Jews in town to be rounded up, Tono faces a moral dilemma unlike any he's known before.

Jánošík has been topic of many Slovak and Polish legends, books and films. According to the legend, he robbed nobles and gave the loot to the poor. The legend were also known in neighboring Silesia, the Margraviate of Moravia and later spread to the Kingdom of Bohemia. The actual robber had little to do with the modern legend, whose content partly reflects the ubiquitous folk myths of a hero taking from the rich and giving to the poor. However, the legend was also shaped in important ways by the activists and writers in the 19th century when Jánošík became the key highwayman character in stories that spread in the north counties of the Kingdom of Hungary (present Slovakia) and among the local Gorals and Polish tourists in the Podhale region north of the Tatras.

Film adaptation of Rudolf Jašík's novel of the same name. The plot of the film is situated in the forties of our century, in the first years of the Second World War. It captures the political and social atmosphere of one of the Slovak towns that lives seemingly in the lee, far from the world and war. Well, appearances are deceiving. Beneath the surface of peaceful, everyday life, a tragic process is taking place, accelerating people's destinies, the disintegration of their characters, but also the maturing of their relationships. The film is the story of Eva and Igor, their love, violently interrupted by political events. In this era of personal and social tragedies, children become adults almost overnight, honest people become victims, and mentally ill people become murderers. The film about the fates of Eva and Igor, the Jewish cartmen Samko and Maxi, and the careerist Flórik presents a believable, convincing picture of the era marked by the expansion of fascism.

A bricklayer, Jozef Haviar, decides to live with his family on the small farm of his father through the difficult years of the economic crisis. But on his return to his father's house he gets into a conflict with his brother. The life-and-death conflict between the two brothers documents the difficult situation of Slovak country life in the 1930s, the time of economic depression.